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Art Cinema and Neoliberalism
Art Cinema and Neoliberalism surveys cinematic responses to neoliberalism across four continents. One of the first in-depth studies of its kind, this book provides an imaginative reassessment of art cinema in the new millennium by showing how the exigencies of contemporary capitalism are exerting pressure on art cinema conventions. Through a careful examination of neoliberal thought and practice, the book explores the wide-ranging effects of neoliberalism on various sectors of society and on the evolution of film language. Alex Lykidis evaluates the relevance of art cinema style to explanations of the neoliberal order and uses a case study approach to analyze the films of acclaimed directors such as Asghar Farhadi, Yorgos Lanthimos, and Lucrecia Martel in relation to the social, political, and cultural characteristics of neoliberalism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of today’s film auteurs.
Teaching Transnational Cinema
This collection of essays offers a pioneering analysis of the political and conceptual complexities of teaching transnational cinema in university classrooms around the world. In their exploration of a wide range of films from different national and regional contexts, contributors reflect on the practical and pedagogical challenges of teaching about immigrant identities, transnational encounters, foreignness, cosmopolitanism and citizenship, terrorism, border politics, legality and race. Probing the value of cinema in interdisciplinary academic study and the changing strategies and philosophies of teaching in the university, this volume positions itself at the cutting edge of transnational film studies.
American Film History
From the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Bri...
Borders, Memory and Transculturality
This annotated bibliography provides a guide for grappling with border issues and offers an account of the research discourse on the interdisciplinary disciplines of Border Studies, Memory Studies and (Teacher) Education: the reviews collected in this volume connect a variety of approaches such as education for diversity and inclusion; borders, memories and their representation in the media; Museum Studies and pedagogy, and present a wealth of information and material that refers to major socio-historical events which shaped European regions and dominated public debate. Angela Vaupel is a senior lecturer at St Mary's University College Belfast and has widely published on aspects of European Cultural Studies.
A Companion to Michael Haneke
A Companion to Michael Haneke With a new preface addressing the Academy award-winning film, Amour, this new-in-paper edition has established itself as the definitive collection on Michael Haneke—from his early work in television and theater, through his prodigious cinematic output, to his 2009 triumph at Cannes. A Companion to Michael Haneke brings together essays by leading film scholars, as well as interviews with the director himself, to probe the provocative and controversial themes that have formed the nucleus of Haneke’s work—intergenerational dysfunction and social alienation, colonialism and citizenship, surveillance and pornography, mass culture and media violence. The volume also offers a critical examination of the auteur’s oeuvre, including Three Paths to the Lake, Lemmings, Benny’s Video, The Piano Teacher, Caché, Funny Games, and the 2009 Palme d’Or winner, The White Ribbon.
Hearing Haneke
Hearing Haneke: The Sound Tracks of a Radical Auteur' is the first book devoted to the sound tracks of Michael Haneke. Despite his notorious preoccupation with violence, this book shows how Haneke uses sound to reawaken our capacity for hearing the world with greater compassionate understanding.
Configurations of Migration
In a global context in which phenomena of migration play an ever more important role, the ways individual and collective experiences of migration are covered in the media, represented in culture, and interpreted are coming under increasing scrutiny. This book explores the complex relationship between creative engagements with migration on the one hand, and forms of knowledge about migration on the other, inquiring into the ways aesthetic practices are intertwined with knowledge structures. The book responds to three pressing research questions. First, it analyses how fictional texts, plays, images, films, and autobiographical accounts mediate forms of knowledge about migration. Second, it id...
Silent Cinema and the Politics of Space
In this cross-cultural history of narrative cinema and media from the 1910s to the 1930s, leading and emergent scholars explore the transnational crossings and exchanges that occurred in early cinema between the two world wars. Drawing on film archives from around the world, this volume advances the premise that silent cinema freely crossed national borders and linguistic thresholds in ways that became far less possible after the emergence of sound. These essays address important questions about the uneven forces–geographic, economic, political, psychological, textual, and experiential–that underscore a non-linear approach to film history. The "messiness" of film history, as demonstrated here, opens a new realm of inquiry into unexpected political, social, and aesthetic crossings of silent cinema.
Cinema at the End of Empire
How did the imperial logic underlying British and Indian film policy change with the British Empire’s loss of moral authority and political cohesion? Were British and Indian films of the 1930s and 1940s responsive to and responsible for such shifts? Cinema at the End of Empire illuminates this intertwined history of British and Indian cinema in the late colonial period. Challenging the rubric of national cinemas that dominates film studies, Priya Jaikumar contends that film aesthetics and film regulations were linked expressions of radical political transformations in a declining British empire and a nascent Indian nation. As she demonstrates, efforts to entice colonial film markets shaped...
Legacies of Ancient Greece in Contemporary Perspectives
'Legacies of Ancient Greece in Contemporary Perspectives' provides readers with opportunities to reconnect with the origins of thought in an astonishingly wide variety of areas: politics, economics, art, spirituality, gender relations, medicine, literature, philosophy, music, and so on. As the chapters in the book show, Classical Greek thought still informs much of contemporary culture. There are countless books and articles that deal with ancient Greece historically, and a similar number that focus on Greece as a contemporary travel destination. There is both a lot of interest in Greece as a place now, and in Greece’s history and culture, which formed the early origins of much of Western ...
