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Miraculous Images and Votive Offerings in Mexico
Miraculous Images and Votive Offerings in Mexico explores such petitionary devotion in depth through extensive fieldwork supported by research in a vast body of interdisciplinary scholarship. The study's principal themes include sacred power and human agency, reification, projective animation, faith as a cognitive filter, sacred power transfer, social and narrative construction, positive framing, collaborative and deferred control, vows (juramentos), and miracle attribution. --Publisher description.
The Maya Art of Speaking Writing
Challenging the distinctions between “old” and “new” media and narratives about the deprecation of orality in favor of inscribed forms, The Maya Art of Speaking Writing draws from Maya concepts of tz’ib’ (recorded knowledge) and tzij, choloj, and ch’owen (orality) to look at expressive work across media and languages. Based on nearly a decade of fieldwork in the Guatemalan highlands, Tiffany D. Creegan Miller discusses images that are sonic, pictorial, gestural, and alphabetic. She reveals various forms of creativity and agency that are woven through a rich media landscape in Indigenous Guatemala, as well as Maya diasporas in Mexico and the United States. Miller discusses how t...
PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII
From May 31st to June 4th, 2016, the 7th International European conference on pre-Columbian textiles was held in Copenhagen. This volume unites seven original articles on pre-Columbian textiles from Mexico, which compare information on 20th century finds first described by Alba Guadelupe Mastache with that from previously unpublished finds and recently discovered contexts. A unique chapter presents the technical analysis and replication of a pre-Columbian tunic recovered in a cave site in Arizona, at the northern margins of the Mesoamerican interaction sphere. Thirteen articles on archaeological textiles from the central Andes include analysis of both textile assemblages preserved in museum collections and those recovered during recent fieldwork in archaeological sites of the Andean desert coast. These include textile assemblages representing the Initial and Formative Periods, Paracas and Nasca contexts, the Middle Horizon, diverse late Intermediate Period assemblages and emblematic Inca garments.
Art and Performance in Oceania
The Fifth International Symposium of the Pacific Arts Association, titled "Art, Performance, and Society," called for papers in sessions dealing with "Production and Performance," "Social and Cultural Context," "The Record and the Remainder," and "The Mission of Museums." In all, some sixty papers were presented, twenty-four of which have been included in this book. The first two topics elicited several papers that explored the creative process, including the description and analysis of performance, and the taxonomy of objects used, the transmission of cultural knowledge, and the identity and work of individual artists. The second two topics provided the opportunity for papers on some significant early museum collectors and collections, various methods of documenting cultural material (such as photography), how cultural material has been and can be exhibited, and the role of museums and cultural centers in Pacific Island countries.
Good Maya Women
"Analyzes the forced migration of Maya women from the highlands of Guatemala and their turn toward language and indigenous clothing revitalization upon their return home"--
Oceania
Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
Power of the Sun
Fully illustrated colour catalogue of an exhibition held at the Ethnographic Museum in Antwerp in 1993 presenting a selection of gold ornaments and ceramics from 8 pre-Columbian cultures: Tumaco, Calima, Narino, Quimbaya, Tolima, Sinu, Tairona, and Muisca. The collection is of the highest quality, and reveals many fine objects of outstanding beauty. The catalogue is introduced by 3 essays: Hunters of prehistory in El Dorado (J-F Bouchard); The art of the goldsmith in Colombia (F Herreman); Earthenware - A long neglected treasure-house of information (M Holsbeke) .
Olmec Art at Dumbarton Oaks
Olmec Art at Dumbarton Oaks presents the Olmec portion of the Robert Woods Bliss Collection of Pre-Columbian Art. It illustrates all thirty-nine Olmec art objects in color plates and includes many complementary and comparative black-and-white illustrations and drawings. The body of Pre-Columbian art that Robert Bliss carefully assembled over a half-century between 1912 and 1963, amplified only slightly since his death, is a remarkably significant collection. In addition to their aesthetic quality and artistic significance, the objects hold much information regarding the social worlds and religious and symbolic views of the people who made and used them before the arrival of Europeans in the ...
