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The Correspondence of Sarah Morgan and Francis Warrington Dawson, with Selected Editorials Written by Sarah Morgan for the Charleston News and Courier
The private and public writings in this volume reveal the early relationship between renowned Civil War diarist Sarah Morgan (1842-1909) and her future husband, Francis Warrington Dawson (1840-1889). Gathered here is a selection of their letters along with various articles that Morgan wrote anonymously for the Charleston News and Courier, which Dawson owned and edited. In January 1873 Morgan met Frank Dawson, an English expatriate, Confederate veteran, and newspaperman. By then Morgan had left her native Louisiana and was living near Columbia, South Carolina, with her younger brother, James Morris Morgan. When Sarah Morgan and Frank Dawson met, he was mourning the recent death of his first w...
And Then She Killed Him
The New York Times–bestselling author of Shattered Innocence reveals the story of a two-time widow leading a double life in this true crime exposé. Miriam Giles ran away to Colorado to escape her violent past. But this seductively charismatic widow had a dark side that could never stay buried. After finding the “sugar daddy” she was looking for in Alan Helmick, her new marriage seemed happy. Then, two years later, Alan met a gruesome fate. Returning home from errands, Miriam found him lying in a pool of blood. Miriam showed police a cryptic note warning her to "run, run, run." But Miriam was no distraught housewife. She was a master manipulator who always stayed one step ahead of her unwitting partner. Then her crimes caught up with her once and for all. Includes dramatic photos.
Hidden Spirit
Morgan O’Connor takes a long vacation to try to sort out his commitment issues, but his trip takes a mysterious turn once he crosses into Canada. There he begins to have vivid dreams, and is followed by a grey wolf only he seems to be able to see. On his way home, Morgan stops at a woodcarver’s shop, where he meets James Standing Elk. The two men have a strong and immediate connection. When Morgan learns James’ Ojibwe name is Grey Wolf, he’s more than a little unnerved and leaves before he can uncover the link between his visions and James. Back home, Morgan can’t keep out thoughts of either the wolf or his feelings for James. When he returns to the woodcarver’s shop, the true nature of his attraction and spiritual connection to James is revealed, and it’s more than Morgan could ever have imagined. Can this be the reason Morgan has never been able to make a commitment to anyone? What strange forces are at work to bring Morgan and James together?
Statement of Disbursements of the House
Covers receipts and expenditures of appropriations and other funds.
The Panther Moon
Being the seventh Morcant has its perks: Morgan is learning to fly and wield magical blue fire. But the coyote shifters are growing bolder. Mateo and his panthers seem impossible to defeat. And vampires aren't real – are they? When the elusive and enigmatic Chief Okema disappears and the wards protecting the Wapicoli territory falter, Morgan and Jackson are forced into the role of leaders. Badly outnumbered and outgunned, do they have time to search for the secret of the Divining Tree, and will it help them in the final battle?
Breaking the Sequence
These nineteen essays introduce the rich and until now largely unexplored tradition of women's experimental fiction in the twentieth century. The writers discussed here range from Gertrude Stein to Christine Brooke-Rose and include, among others, Virginia Woolf, Jean Rhys, Jane Bowles, Marguerite Young, Eva Figes, Joyce Carol Oates, and Marguerite Duras. "Friedman and Fuchs demonstrate the breadth of their research, first in their introduction to the volume, in which they outline the history of the reception of women's experimental fiction, and analyze and categorize the work not only of the writers to whom essays are devoted but of a number of others, too; and second in an extensive and won...
The Loss of Small White Clouds
This volume seeks to instigate a discussion about dementia in theatre. The discussions in this book borrow from the literature on dementia’s representation in other artforms, while reflecting on theatre’s unique capacity to incorporate multiple artforms in a live context (hypermediacy). The author examines constructions of diegesis and the use of various performance tools, including physical theatre, puppetry, and postdramatic performance. She discusses stage representations of interior experiences of dementia; selfhood in dementia; the demarcation of those with dementia from those without; endings, erasure, and the pursuit of catharsis; placelessness and disruptions of traditional dramatic constructions of time; and ultimately, performances creatively led by people with dementia. The book traces patterns of narrativisation on the stage—including common dramaturgical forms, settings, and character relationships—as well as examples that transcend mainstream representation. This book is important reading for theatre and performance students, scholars, and practitioners, as well as cultural studies writers engaged in research about narratives of dementia.
Dharmalan Dana
A Yorta Yorta man’s seventy-three-year search for the story of his Aboriginal and Indian ancestors including his Indian Grampa who, as a real mystery man, came to Yorta Yorta country in Australia, from Mauritius, in 1881 and went on to leave an incredible legacy for Aboriginal Australia. This story is written through George Nelson’s eyes, life and experiences, from the time of his earliest memory, to his marriage to his sweetheart Brenda, through to his journey to Mauritius at the age of seventy-three, to the production of this wonderful story in the present.
