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Kristof Kintera
Ikon presents the most comprehensive UK exhibition of work by Czech artist Kristof Kintera (b. 1973, Prague).00Internationally acclaimed for his sculptural, often kinetic works imbued with a characteristic energy and imaginative wit, Kintera offers an overview of new, recent, and archival works, shown in the UK for the first time.00THE END OF FUN! is a timely exhibition probing the apocalyptic environmental issues we currently face, taking on a new poignancy in today?s climate.00Crafted with a dark sense of humour, Kintera?s artistic practice addresses current affairs. Striking a balance between feigned triviality and fatality, his works comprise a lively and philosophical critique of hyper-capitalist systems, especially with respect to ecological concerns.00Exhibition: Ikon Gallery, Birmingham, UK (17.09.-22.11.2020).
The Lightless Sky
A gripping, inspiring, and eye-opening memoir of fortitude and survival—of a twelve-year-old boy’s traumatic flight from Afghanistan to the West—that puts a face to one of the most shocking and devastating humanitarian crises of our time. “To risk my life had to mean something. Otherwise what was it all for?” In 2006, after his father was killed, Gulwali Passarlay was caught between the Taliban who wanted to recruit him, and the Americans who wanted to use him. To protect her son, Gulwali’s mother sent him away. The search for safety would lead the twelve-year-old across eight countries, from the mountains of eastern Afghanistan through Iran and Europe to Britain. Over the course...
Wing and Trap Shooting
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Boston Collects
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Hallelujah Trombone!
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