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Disruption in the Arts
The volume examines from a comparative perspective the phenomenon of aesthetic disruption within the various arts in contemporary culture. It assumes that the political potential of contemporary art is not solely derived from presenting its audiences with openly political content, but rather from creating a space of perception and interaction using formal means: a space that makes hegemonic structures of action and communication observable, thus problematizing their self-evidence. The contributions conceptualize historical and contemporary politics of form in the media, which aim to be more than mere shock strategies, which are concerned not just with the ‘narcissistic’ exhibition of art...
The Permanence of the Transient
How should one approach the notion of the precarious in art – its meanings and its outcomes? Its presence in artistic practices may be transient, yet it instigates permanent changes in the production, discourse, and perception of art. The Permanence of the Transient: Precariousness in Art gathers essays that examine the traces and implications of precariousness in contemporary art, and lays a foundation for a thoughtful study of its emergence in related fields throughout the 20th and 21st centuries. The different perspectives represented in this volume touch on art history and theory, curatorial practice, media art, philosophy, language, and transnational studies, and highlight artists’ narratives. Together, these interdisciplinary essays locate precariousness as an undercurrent in contemporary art and a connective tissue across diverse areas of knowledge and everyday life.
The Inkblots
SUNDAY TIMES 'BOOKS OF THE YEAR': 'the book develops into a bigger biography of the strange set of images [Rorschach] bequeathed, taking in everything from the origins of abstract art to the invention of the idea of empathy' – James McConnachie, Sunday Times IRISH INDEPENDENT 'BOOKS OF THE YEAR' The captivating, untold story of Hermann Rorschach and his famous inkblot test, which has shaped our view of human personality and become a fixture in popular culture. In 1917, working alone in a remote Swiss asylum, psychiatrist Hermann Rorschach devised an experiment to probe the human mind. He had come to believe that who we are is less a matter of what we say, as Freud thought, than what we see...
Performing Identity and Gender in Literature, Theatre and the Visual Arts
This volume presents a compelling mélange of chapters focusing on the myriad ways in which performance and gender are inextricably bound to identity. It shows how gender, performance and identity play themselves out in various ways, contexts and genres, in order to illumine the very instability and fluidity of identity as a static category. As such, it is a must-read for anyone interested in gender studies, identity politics and literature in general.
Multidisciplinary Approaches to Visual Representations and Interpretations
The value of multi-disciplinary research lies in the exchange of ideas and methods across the traditional boundaries between areas of study. It could be argued that many of the advances in science and engineering take place because the ideas, methods and the tools of thought from one discipline become re-applied in another.The topic of "the visual" has become increasingly important as advances in technology have led to multi-media and multi-modal representations, and extended the range and scope of visual representation and interpretation in our lives. Under this broad heading there are many different perspectives and approaches, from across the entire spectrum of human knolwedge and activit...
Contested Legacies
In the light of the current housing and environmental crisis and increasing social inequalities, there is a growing sense of urgency for architecture as a discipline to engage with the transformation in housing evident in the postwar period. Rather than conceiving this task as a technical matter, this book proposes to reassess the conditions and legacy of this large and ubiquitous housing stock. By foregrounding the mismatch between constructed cultural, social and ideological narratives and the everyday realities of residents, the contributors rediscover some of the tropes of modern housing, such as the impact of technological innovations or the often overlooked character of open spaces, an...
New Media in Art History
New media in art history The history of art and new media are inextricably linked – both historically and in the present day. This publication can be described as an interdisciplinary reflection: it examines the confrontation and interaction between art history and new media, highlighting key developments, opportunities, and tensions. In eight studies, eleven researchers present new findings and explore the techniques and methods of new media – from electronic to digital and post-digital media – and the challenges these pose for art history. The book covers a wide range of topics, from the history and historiography of new media to their practical application, use, and reception, as well as creative processes, material conservation, and mediation. With new research findings, this book bridges the gap between art history and media studies With contributions by Keyvane Alinaghi, Sarah Amsler, Katharina Brandl, Fleur Chevalier, Aline Guillermet, Thomas Hänsli, Dominik Lengyel, Catherine Toulouse, Caroline Tron-Carroz, Zsofi Valyi-Nagy, and Nina Zschocke Cooperative project between the Swiss Association of Art Historians (VKKS) and the University of Neuchâtel
The Art and Science of Interface and Interaction Design (Vol. 1)
Artists and creators in interactive art and interaction design have long been conducting research on human-machine interaction. Through artistic, conceptual, social and critical projects, they have shown how interactive digital processes are essential elements for their artistic creations. Resulting prototypes have often reached beyond the art arena into areas such as mobile computing, intelligent ambiences, intelligent architecture, fashionable technologies, ubiquitous computing and pervasive gaming. Many of the early artist-developed interactive technologies have influenced new design practices, products and services of today's media society. This book brings together key theoreticians and practitioners of this field. It shows how historically relevant the issues of interaction and interface design are, as they can be analyzed not only from an engineering point of view but from a social, artistic and conceptual, and even commercial angle as well.
Scientific Knowledge and the Transgression of Boundaries
The aim of this book is to understand and critically appraise science-based transgression dynamics in their whole complexity. It includes contributions from experts with different disciplinary backgrounds, such as philosophy, history and sociology. Thus, it is in itself an example of boundary transgression.Scientific disciplines and their objects have tended to be seen as permanent and distinct. However, science is better conceived as an activity that constantly surpasses, erases and rebuilds all kinds of boundaries, either disciplinary, socio-ethical or ecological. This transgressive capacity, a characteristic trait of science and its applications, defines us as “knowledge societies.” However, scientific and technological developments are also sources of serious environmental and social concerns.
History of Photography
The fourth volume in a history of photography, this is a bibliography of books on the subject.
