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Drawing on the first systematic study of cultural capital in contemporary Britain, Culture, Class, Distinction examines the role played by culture in the relationships between class, gender and ethnicity. Its findings promise a major revaluation of the legacy of Pierre Bourdieu’s account of the relationships between class and culture.
Consider the vast array of things around you, from the building you are in, the lights illuminating the interior, the computational devices mediating your life, the music in the background, even the crockery, furniture and glassware you are in the presence of. Common to all these objects is that their concrete, visual and technological forms were invariably conceived, modelled, finished and tested in sites characterised as studios. Remarkably, the studio remains a peculiar lacuna in our understanding of how cultural artefacts are brought into being and how ‘creativity’ operates as a located practice. Studio Studies is an agenda setting volume that presents a set of empirical case studies...
Migrants bring music from the homeland to the metropolis. But music also migrates via the media: 'world' music, hip hop, bossa nova ... With case studies from across the world this ground-breaking collection shows how migrating music is key to the construction of a still-emerging, global cosmopolitan imagination.
Despite considerable interest in social capital amongst urban policy makers and academics alike, there is currently little direct focus on its urban dimensions. In this volume leading urban researchers from the Netherlands, the UK, the USA, Australia, Italy and France explore the nature of social networks and the significance of voluntary associations for contemporary urban life. Networked Urbanism recognizes that there is currently a sense of crisis in the cohesion of the city which has led to public attempts to encourage networking and the fostering of 'social capital'. However, the contributors collectively demonstrate how new kinds of 'networked urbanism' associated with ghettoization, suburbanization and segregation have broken from the kind of textured urban communities that existed in the past. This has generated new forms of exclusionary social capital, which fail to significantly resolve the problems of poor residents, whilst strengthening the position of the advantaged. Grounded in theoretical reflection and empirical research, Networked Urbanism will be of interest to scholars and students of sociology, geography and urban studies, as well as to policy makers.
Work in Transition shows how migrants develop their cultural capital in order to enter the workforce, as well as how failure to leverage that capital can lead to permanent exclusion from professional positions.
What is it like to work in the media? Are media jobs more ‘creative’ than those in other sectors? To answer these questions, this book explores the creative industries, using a combination of original research and a synthesis of existing studies. Through its close analysis of key issues – such as tensions between commerce and creativity, the conditions and experiences of workers, alienation, autonomy, self-realization, emotional and affective labour, self-exploitation, and how possible it might be to produce ‘good work’ Creative Labour makes a major contribution to our understanding of the media, of work, and of social and cultural change. In addition, the book undertakes an extensive exploration of the creative industries, spanning numerous sectors including television, music and journalism. This book provides a comprehensive and accessible account of life in the creative industries in the twenty-first century. It is a major piece of research and a valuable study aid for both undergraduate and postgraduate students of subjects including business and management studies, sociology of work, sociology of culture, and media and communications.
During China’s “socio-economic transition period”, stretching from 1978 to the present day, the nation’s social structure underwent enormous changes. The economic restructuring from a centrally-planned economy to a market-oriented one, combined with the retreat of the state administrative sphere from the labour market, gradually transformed the mechanisms of resource allocation. This has given rise to enlarging gaps between different social groups, which have led to an escalation in tensions between the higher and the lower social strata. In addition, the situation of Chinese women has also changed, with those in contemporary China in a quite different position from their “pre-comm...
This work explores in detail how innovative academic activism can transform our everyday workplaces in contexts of considerable adversity. Personal essays by prominent scholars provide critical reflections on their institution-building triumphs and setbacks across a range of cultural institutions. Often adopting narrative approaches, the contributors examine how effective programmes and activities are built in varying local and national contexts within a common global regime of university management policy. Here they share experiences based on developing new undergraduate degrees, setting up research centers and postgraduate schools, editing field-shaping book series and journals, establishi...
This volume links contemporary debates on cosmopolitanism to historical and comparative case studies on international broadcasting. Through the prism of the BBC World Service, it illuminates how diasporic broadcasters at the BBC translate and produce news in dozens of languages and, as skilled cultural intermediaries, are integral to British diplomacy.
This important cultural analysis tells two stories about food. The first depicts good food as democratic. Foodies frequent ‘hole in the wall’ ethnic eateries, appreciate the pie found in working-class truck stops, and reject the snobbery of fancy French restaurants with formal table service. The second story describes how food operates as a source of status and distinction for economic and cultural elites, indirectly maintaining and reproducing social inequality. While the first storyline insists that anybody can be a foodie, the second asks foodies to look in the mirror and think about their relative social and economic privilege. By simultaneously considering both of these stories, and studying how they operate in tension, a delicious sociology of food becomes available, perfect for teaching a broad range of cultural sociology courses.