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Ethics of War and Peace in Iran and Shi'i Islam
5 War and Peace in Shi'i Primary Narratives and Sources -- 6 Traditional Shi'i Ethics of War and Peace Untested: Jihad, Ideology, Revolution, and War -- 7 Postwar Revision and the Reconstruction of Modern Iranian-Shi'i Ethics of War and Peace -- 8 Terrorism and Shi'i Theologies of Martyrdom, Nonviolence, and Forgiveness -- 9 Diplomacy in between Nuclear Technology and Antibomb Theology -- Conclusion: Beyond a Minority Mentality: The Emerging Shi'i-Iranian Cosmopolitanism
Friendship in Islamic Ethics and World Politics
Friendship studies can model behavior both intellectual and actual
The Oasis of Now
Sohrab Sepehri (1928-1980) is one of the major Iranian poets of the 20th century. His verses are often-recited in public gatherings and lines from them were used as slogans by protesters in 2009. A painter, wood-worker, and poet, Sepehri wrote these poems after journeys through Japan, China, and India, where he was exposed to various cultural arts and spiritual disciplines.
Ethics of War and Peace in Iran and Shiʻi Islam
"Nearly four decades after a revolution, experiencing one of the longest wars in contemporary history, facing political and ideological threats by regional radicals such as ISIS and the Taliban, and having succeeded in negotiations with six world powers over her nuclear program, Iran appears as an experienced Muslim country seeking to build bridges with its Sunni neighbours as well as with the West."--
Water's Footfall
Sohrab Sepehri was in Iran, a modernist Muslim for whom the black stone of the Kaaba was the sunlight in the flowers.
World Socialist Cinema
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist Cinema maps the circulation of films between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century, illustrating the distribution networks, festival circuits, and informal channels that facilitated this international network of artistic and intellectual exchange. Building on decades of meticulous archival work, this long-anticipated film history unsettles familiar stories to provide an alternative to Eurocentric, national, and regional narratives, rooted outside of the capitalist West.
Mission Manifest
In Mission Manifest, Matthew Shannon argues that American evangelicals were central to American-Iranian relations during the decades leading up to the 1979 revolution. These Presbyterian missionaries and other Americans with ideals worked with US government officials, nongovernmental organizations, and their Iranian counterparts as cultural and political brokers—the living sinews of a binational relationship during the Second World War and early Cold War. As US global hegemony peaked between the 1940s and the 1960s, the religious authority of the Presbyterian Mission merged with the material power of the American state to infuse US foreign relations with the messianic ideals of Christian e...
Violence and Peace in Sacred Texts
This volume brings together 11 experts from a range of religious backgrounds, to consider how each tradition has interpreted matters of violence and peace in relation to its sacred text. The traditions covered are Hinduism, Buddhism, Judaism, Christianity, Islam and Sikhism. The role of religion in conflict, war, and the creation of peaceful settlements has attracted much academic attention, including considerations of the interpretation of violence in sacred texts. This collection breaks new ground by bringing multiple faiths into conversation with one another with specific regard to the handling of violence and peace in sacred texts. This combination of close attention to text and expansive scope of religious inclusion is the first of its kind.
Modernity and the Ideals of Arab-Islamic and Western-Scientific Philosophy
This is the first study to compare the philosophical systems of secular scientific philosopher Mario Bunge (1919-2020), and Moroccan Islamic philosopher Taha Abd al-Rahman (b.1945). In their efforts to establish the philosophical underpinnings of an ideal modernity these two great thinkers speak to the same elements of the human condition, despite their opposing secular and religious worldviews. While the differences between Bunge’s critical-realist epistemology and materialist ontology on the one hand, and Taha’s spiritualist ontology and revelational-mystical epistemology on the other, are fundamental, there is remarkable common ground between their scientific and Islamic versions of humanism. Both call for an ethics of prosperity combined with social justice, and both criticize postmodernism and religious conservatism. The aspiration of this book is to serve as a model for future dialogue between holders of Western and Islamic worldviews, in mutual pursuit of modernity’s best-case scenario.
Imagination and Fantasy in the Middle Ages and Early Modern Time
The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the...
