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Inside African Anthropology offers an incisive biography of the life and work of South Africa's foremost social anthropologist, Monica Hunter Wilson. By exploring her main fieldwork and intellectual projects in southern Africa between the 1920s and 1960s, the book offers insights into her personal and intellectual life. Beginning with her origins in the remote Eastern Cape, the authors follow Wilson to the University of Cambridge and back into the field among the Mpondo of South Africa, where her studies resulted in her 1936 book Reaction to Conquest. Her fieldwork focus then shifted to Tanzania, where she teamed up with her husband, Godfrey Wilson. In the 1960s, Wilson embarked on a new urban ethnography with a young South African anthropologist, Archie Mafeje, one of the many black scholars she trained. This study also provides a meticulously researched exploration of the indispensable contributions of African research assistants to the production of this famous woman scholar's cultural knowledge about mid-twentieth-century Africa.
Inside African Anthropology offers an incisive biography of the life and work of South Africa's foremost social anthropologist, Monica Hunter Wilson. By exploring her main fieldwork and intellectual projects in southern Africa between the 1920s and 1960s, the book offers insights into her personal and intellectual life. Beginning with her origins in the remote Eastern Cape, the authors follow Wilson to the University of Cambridge and back into the field among the Mpondo of South Africa, where her studies resulted in her 1936 book Reaction to Conquest. Her fieldwork focus then shifted to Tanzania, where she teamed up with her husband, Godfrey Wilson. In the 1960s, Wilson embarked on a new urban ethnography with a young South African anthropologist, Archie Mafeje, one of the many black scholars she trained. This study also provides a meticulously researched exploration of the indispensable contributions of African research assistants to the production of this famous woman scholar's cultural knowledge about mid-twentieth-century Africa.
This book traces the personal and intellectual histories of six remarkable women anthropologists, using a rich cocktail of archival sources.
Sindiwe Magona's poems conspire with her. Even years after being written, they still seem warm from her lips, and it is this residue of her telling them that draws you into their confidence. From the languid innocence of the poems about her village, to her shattering images of Africa at war, Magona leads you headlong into her fireside circle where archetypes flicker like shadows on a face that has seen, and been. Please, Take Photographs is defiant and tender, horrific and homely, at once irreverent, outspoken and beautiful.
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In this book, Ilana van Wyk and Jimmy Pieterse interrogate the question of political subjectivity and its role in the making of anthropology and anthropologists by revisiting the pitched battles between so-called liberal social anthropologists and conservative, nationalist volkekundiges in South Africa. They pay particular attention to the social and cultural lives of two men who were central proponents of South African anthropology's 'two tales'; Kees van der Waal, a former volkekundige, and John Sharp, once one of volkekunde's fiercest critics. Through a series of conversations with Kees and John, they show that the issues that once divided a local field still animate the ways in which centres and peripheries of global anthropology relate to one another and to foundational questions about the discipline's epistemology and political positionality.
On a warm August evening in a Cape Cod community, the popular Starlight Pavilion plays host to a brutal murder. When twenty-one year old Tammy Wilson is found strangled under the steps of the pavilion, Detective Mike Farnham is called in to solve the crime. The night of the murder, beautiful and tenacious Killette Bennett, a college English professor and murder mystery aficionado is at The Starlight on a first date with charismatic Lance Sterling. Just before the murder occurs, Killette receives a warning note written with lipstick on the bathroom mirror from Tammy regarding Lance. BE CAREFUL. When Killette questions Lance, he denies being involved with Tammy. Later, Killette talks to the ha...
This edited volume presents, for the first time, a history of anthropology regarding not only the well-known European and American traditions, but also lesser-known traditions, extending its scope beyond the Western world. It focuses on the results of these traditions in the present. Taking into account the distinction between empire-building and nation-building anthropology, introduced by G. Stocking and taken up by U. Hannerz, the book investigates different histories of anthropology, especially in ex-colonial and marginal contexts. It highlights how the hegemonic anthropologies have been accepted and assimilated in local contexts, which approaches have been privileged by institutions and ...
Volume II surveys the history of fashion from the nineteenth-century to the present day. Covering the period beginning with mass industry and ending with calls for sustainability, this volume challenges the meaning of modernity and modernism from a global perspective and reflects on important scholarship that has changed our understanding of the relationship between fashion and colonialism. Empires shifted and new powers rose, with fashion marking and contending with this change. The volume concludes with a critical view of fashion and globalisation, and explores the deep connections between the fashion industry, the global economy, and the politics of production and wearing in the contemporary world.