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Welsh Armorial Porcelain
Armorial porcelains comprised the output of most European ceramics factories in the 18th and 19th Centuries in response to the large quantity of armorial porcelain services that were being imported from China bearing the coats of arms and crests of aristocratic families. Whereas these armorial services have been identified and covered for most porcelain manufactories the information relevant to their production by the two relatively short-lived Nantgarw and Swansea China Works has not been addressed as a theme until now. As an integral component of the holistic forensic appraisal of porcelain, a functional and decorative artwork manifestly part of our cultural heritage and its ongoing preser...
The MX Book of New Sherlock Holmes Stories - Part XXVIII
Featuring Contributions by: Deanna Baran, Mark Mower, Thomas A. Turley, Will Murray, Brenda Seabrooke, Tim Gambrell, Thomas A. Burns, Jr., Amy Thomas, David Marcum, Jeffrey A. Lockwood, John Lawrence, Martin Daley, Dick Gillman, Liz Hedgecock, Paul Hiscock, Mike Hogan, Stephen Herczeg, and Roger Riccard, and forewords by Nancy Holder, Roger Johnson, Steve Emecz, and David Marcum “Somewhere in the vaults of the bank of Cox and Co., at Charing Cross, there is a travel-worn and battered tin dispatch box with my name, John H. Watson, M.D., Late Indian Army, painted upon the lid. It is crammed with papers, nearly all of which are records of cases to illustrate the curious problems which Mr. She...
Porcelain Analysis and Its Role in the Forensic Attribution of Ceramic Specimens
The material for this book arose from the author’s research into porcelains over many years, as a collector in appreciation of their artistic beauty , as an analytical chemist in the scientific interrogation of their body paste, enamel pigments and glaze compositions, and as a ceramic historian in the assessment of their manufactory foundations and their correlation with available documentation relating to their recipes and formulations. A discussion of the role of analysis in the framework of a holistic assessment of artworks and specifically the composition of porcelain, namely hard paste, soft paste, phosphatic, bone china and magnesian, is followed by its growth from its beginnings in ...
