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Secret Mark first became known to modern scholarship in 1958 when a newly hired assistant professor at Columbia University in New York by the name of Morton Smith visited the monastery of Mar Saba near Jerusalem and photographed its fragments. Secret Mark was announced on the heels of many spectacular discoveries of ancient manuscripts in the Near East, such as the Dead Sea Scrolls and the Nag Hammadi gnostic corpus in the late 1940s, and promised to be just as revolutionary. Secret Mark presents what appears to be a valuable, albeit fragmentary, witness to early Christian traditions, traditions that might shed light on Jesus's most intimate behavior. In this book, Stephen C. Carlson uses state of the art science to demonstrate that Secret Mark was an elaborate hoax created by Morton Smith. Carlson's discussion places Smith's trick alongside many other hoaxes before probing the reasons why so many scholars have been taken in by it.
"A twentieth-century classic, uncannily smart, incredibly learned."--from the foreword by Bart Ehrman This book challenges traditional Christian teaching about Jesus. While his followers may have seen him as a man from heaven, preaching the good news and working miracles, Smith asserts that the truth about Jesus is more interesting and rather unsettling. The real Jesus, only barely glimpsed because of a campaign of disinformation, obfuscation, and censorship by religious authorities, was not Jesus the Son of God. In actuality he was Jesus the Magician. Smith marshals all the available evidence including, but not limited to, the Gospels. He succeeds in describing just what was said of Jesus b...
Tom Morton-Smith is an Olivier Award-winning playwright whose works for the stage span intimate theatrical biopics to scientific explorations and broad epics. In this, his first play collection, his major stage works are brought together for the first time in a definitive edition showcasing his extensive range as a dramatist, and introduced by the author himself. In Doggerland: “Morton-Smith's script is both poetic and philosophical, a thoughtful meditation on the impact of loss . . . a touching and funny play that explores the lives of four people brought together by tragedy and hope." (WhatsonStage) Oppenheimer: “A blast from start to finish . . . Tom Morton-Smith's epic new play . . ....
The Secret Gospel gives the first real evidence of the method by which Jesus of Nazareth initiated his disciples into the esoteric practices of his teaching, making this is a very important book for the history of humankind. In 1958, Morton Smith traveled to Jerusalem to do research in the monastery library of Mar Saba, in the Judean Desert. What he found was no routine corroboration of New Testament history, but a precious fragment of a second-century document that would change our understanding of the teaching of Jesus of Nazareth. As exciting as the most suspenseful adventure story, Professor Smith's book is a lively and readable account of the discovery and unraveling of some of Christianity's most intriguing mysteries. ??The Secret Gospel invites a wide community of readers to share in the challenge of [Professor Smith?s] discovery, and to evaluate for themselves the provocative?and fundamental?questions it raises.? from the Foreword by Elaine Pagels, The Gnostic Gospels
The American historian of ancient religions, Morton Smith (1915-1991), studied with the great scholar of Jewish mysticism, Gershom Scholem (1897-1982), when he was in Jerusalem during the Second World War. After the war, the two started a long, fascinating and at times intense correspondence that ended only with Scholem's death. These letters, found in the Scholem archive in the National Library in Jerusalem, provide a rare perspective on the world and the approach of two leading historians of religion in the twentieth century. They also shed important new light upon Smith's discovery of a letter attributed to Clement of Alexandria referring to a secret Gospel of Mark.
1939: fascism spreads across Europe, Franco marches on Barcelona and two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognise the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Struggling to cast off his radical past and thrust into a position of power and authority, the charismatic J Robert Oppenheimer races to win the 'battle of the laboratories' and create a weapon so devastating that it would bring about an end not just to the Second World War but to all war. Tom Morton-Smith's new play takes us into the heart of the Manhattan Project, revealing the personal cost of making history.
"You know when a song gets stuck in your head? Round and round ... over and over. I've got that right now ... only it's not a piece of music ... it's not a tune ... it's a phrase: home is where the heart is ... home is where the heart is." A coastline erodes, a house falls into the sea. A mysterious brother and sister arrive looking for answers. Marnie clings to her camera, taking photographs of strangers and places. She has come to say goodbye to a life she never knew whilst her brother Linus is keen to make a fresh start. But when they find Simon and daughter Kelly, reeling in the wake of tragedy, all four lives are to become inextricably linked under the weight of the past.
The American historian of ancient religions, Morton Smith (1915-1991), studied with the great scholar of Jewish mysticism, Gershom Scholem (1897-1982), when he was in Jerusalem during the Second World War. After the war, the two started a long, fascinating and at times intense correspondence that ended only with Scholem's death. These letters, found in the Scholem archive in the National Library in Jerusalem, provide a rare perspective on the world and the approach of two leading historians of religion in the twentieth century. They also shed important new light upon Smith's discovery of a letter attributed to Clement of Alexandria referring to a secret Gospel of Mark.