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Pig Bone and Leper's Hands
THE VASTLY DIFFERENT LIVES IN A DIFFERENTIAL COMPLEX CLASH IN MOVINGLY UNEXPECTED WAYS IN URBAN TEHRAN.THE BITTERSWEET SOMETIMES INSUFFERABLE LEGACY OF A PAST RIDDEN WITH LARGER-THAN-LIFE HARDSHIPS AND UNBELIEVABLE PREDICAMENTS PARTICULAR TO URBAN IRAN IN DIFFERENT CLASSES AND LAYERS ARE BROUGHT...
The Language of Graphic Design Revised and Updated
The Language of Graphic Design provides design students and practitioners with an in-depth understanding of the fundamental elements and principles of their language, graphic design: what they are, why they are important, and how to use them effectively. To communicate in a new language, you first have to gain a complete understanding of its fundamentals; the ABC’s of that language—definitions, functions, and usage. This book provides provides just these fundamentals for the language of graphic design, including chapters on symmetry, asymmetry, tone, contrast, proportion, and typography. Organized by the building blocks of the graphic design language, this reference includes work by some of the most successful and renowned practitioners from around the world and explains how they have applied these fundamental principles to their work. By examining both student and professional work, this comprehensive handbook is a more meaningful, memorable, and inspiring reference tool for novice design students, as well as young designers starting their careers.
Design School: Layout
Design School: Layout is an instructive guide for students, recent graduates, and self-taught designers. It provides a comprehensive introduction to creating and changing layouts: a crucially important skill that underpins practically every aspect of graphic design. You'll get in-depth analysis of all the major areas of theory and practice used by experienced professional designers. Each section provides explanation and visual examples of grid systems and in-depth discussion of compositional principles and strategies. The text is interspersed with tests designed to help you retain key points you've covered in the preceding spreads, and includes illustrations sections with real world scenarios. This in-depth guide avoids the temptation to stray into other areas of design technique, preferring to cover the essential, detailed skills of the professional graphic designer to arm you with the knowledge needed for a successful start to your chosen career.
Persian Linguistics in Cultural Contexts
Korangy and Sharifian’s groundbreaking book offers the first in-depth study into cultural linguistics for the Persian language. The book highlights a multitude of angles through which the intricacies of Persian and its many dialects and accents, wherever spoken, can be examined. Linguistics with cultural studies as its backdrop is not a new phenomenon; however, with this text we are afforded an insight into the complex relationship that exists between human cognizance and human expression in this ancient civilization. This study helps develop an innovative understanding of history, intent, and meaning as understood by a culture and by a people, in this case the Persian-speaking folk of Iran. The chapters are insightful resources for analyzing and augmenting our knowledge of linguistics under the rubric of Persian culture but also for proposing and foregrounding new ideas in this field of study.
The Diwans of Abid Ibn Al-Abras, of Asad, and Amir Ibn At-Tufail, of Amir Ibn Sasaah
This unique title, The Diwans of Abid ibn al-Abras, of Asad, and Amir ibn at-Tufail, of Amir ibn Sasaah consists of two collections of poetry, belonging to the poets al-Abras and at-Tufail, which were discovered by the British Museum in Beirut in 1907. The collections were completely new at the time, although certain poems in each Diwan had been found in other collections. Included for each poet is an introduction (with biographies) and the translations of their respective Diwans. In addition, there is an Arabic portion of the text, containing the original Diwans, Indexes, and Supplemental poetry attributed to the authors but not found in the Diwans. This work will be of interest to scholars...
Daughter of Persia
"The daughter of a once-powerful and wealthy shazdeh, or prince, Sattareh was raised in the 1920s and '30s in a Persian harem compound in Tehran with numerous mothers, more than thirty brothers and sisters, and nearly a thousand servants. Here, the despotic, but enlightened Shazdeh educated his daughters as well as his sons, preparing them for the political turmoil he feared would arise when he was gone. As a young woman, Sattareh broke with stern Moslem tradition to journey alone across Iran, India, and the Pacific in wartime to reach America, where she became the first Persian to study at the University of Southern California, and earned an advanced degree in social work. Fired by a vision...
Total Talent Portfolio
A component of the Schoolwide Enrichment Model, this book presents a systematic vehicle, the Total Talent Portfolio, for gathering, recording, and acting on the best information about students. Portfolios assist teachers as they analyze each student's unique talent profile and decide which types of enrichment and acceleration options will be most likely to develop each young person's talents and abilities. Sample portfolios are included as well as suggestions for developing your own.
Funny in Farsi
NEW YORK TIMES BESTSELLER • Finalist for the PEN/USA Award in Creative Nonfiction, the Thurber Prize for American Humor, and the Audie Award in Biography/Memoir This Random House Reader’s Circle edition includes a reading group guide and a conversation between Firoozeh Dumas and Khaled Hosseini, author of The Kite Runner! “Remarkable . . . told with wry humor shorn of sentimentality . . . In the end, what sticks with the reader is an exuberant immigrant embrace of America.”—San Francisco Chronicle In 1972, when she was seven, Firoozeh Dumas and her family moved from Iran to Southern California, arriving with no firsthand knowledge of this country beyond her father’s glowing memor...
The Blind Owl
Tells the story of an unnamed pen case painter, the narrator, who sees in his macabre, feverish nightmares that "the presence of death annihilates all that is imaginary. We are the offspring of death and death delivers us from the tantalizing, fraudulent attractions of life; it is death that beckons us from the depths of life. If at times we come to a halt, we do so to hear the call of death... Throughout our lives, the finger of death points at us." The narrator addresses his murderous confessions to the shadow on his wall resembling an owl. His confessions do not follow a linear progression of events and often repeat and layer themselves thematically, thus lending to the open-ended nature of interpretation of the story.
Shanidar, the First Flower People
"The exploration of Shanidar Cave in Iraq has resulted in one of the most significant archaeological finds of recent years--the first archaeological traces of 'human nature.' And Ralph Solecki's firsthand account superbly communicates the excitement, the continual surprises, the labor, ingenuity, and technical subtlety that attended the discovery"--Book jacket.
