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Communications sur la fabrication, la diffusion et la conservation du livre de la Renaissance à nos jours. Ce 2e tome traite plus particulièrement des livres et journaux, ainsi que des bibliothèques et de leurs lecteurs dans les sociétés françaises et méditerranéennes.
In Johann Froben, Printer of Basel, Valentina Sebastiani offers a comprehensive account of the life and printing production of Froben, a major representative of early modern Europe’s most refined printing traditions. Some five centuries after they first appeared in print, Sebastiani provides a bibliography of the 329 Froben editions published in Basel between 1491 and 1527 (including an analysis of some 2,500 copies held in more than twenty-five libraries worldwide), listing the paratextual and visual elements that distinguish Froben’s books as well as economic, technical, and editorial details related to their production and distribution. Sebastiani’s study sheds new light on Froben’s family and career, his involvement in the editing and publication of Erasmus’ works, and the strategies he adopted to market them successfully.
This book explores the revelation of God’s love in the mystery of the covenant, and shows how this potent theological concept has inspired artists through the ages to reflect on the nature of divine interaction with mankind. It traces the development of the covenantal relationship between God and the Jewish people as given in the Hebrew Scriptures, and examines the Christian concept of the New Covenant, portrayed by Gospel writers and those of the early Church in the New Testament. Alongside this, the book matches a variety of artistic work in which these texts are made visible. The reference to over 300 works of art is a mere sample, and will inspire readers to research this hugely rich r...