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'Gorgeous and funny! Like a labrador doing stand-up' Noel Fielding The brainchild of a late night and one too many drinks, Hate Mail began with self-styled 'Master of Pens', Mr. Bingo, sending a single tweet off into the pipes of the internet. It read: 'I will send a postcard with an offensive message on to the first person who replies to this'. Then, the replies came in. Over 1000 abusive postcards later, Mr. Bingo has become the world's hate mailist par excellence, verbally and visually abusing people the world over, all eager to receive their own bespoke piece of personalised spite. Irreverent and insidiously inspired, Hate Mail: The Definitive Collection, is the ultimate celebration of Mr. Bingo's Hate Mail project.
Complete Digital Illustration is an informative and practical guide to this in-demand area of design. Alongside step-by step tutorials, top image-makers from around the world provide real and practical advice on setting up a studio, creating a killer portfolio, and winning commissions. The work featured in the book reflects the wide and exciting range of image-making practice that thrives today, from music and fashion to character and toy design. The book reveals the secrets of the industry’s most successful creatives who transfer traditional illustrative skills into digital dimensions, producing the highest quality, most commercially successful animation, three-dimensional, and vector-based illustration. This book offers a master class for students and professional designers and illustrators who want to take their work beyond the constraints of two-dimensions and gain greater commercial success. An inspirational, must-have guide, Complete Digital Illustration is also of real value for professional image-makers.
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THIS IS BLACKOUT CITY - MY CITY - A DANGEROUS CITY WHERE NOTHING IS WHAT IT SEEMS TO BE, AND THE PEOPLE HERE ARE NOT WHO THEY SEEM TO BE. THE DOUBLE CROSS IS NOT ONLY A GAME BUT THE NORM. STAYING ALIVE IS SURVIVAL, STAYING SANE IS A NECESSITY. - JOE SMOKE, PRIVATE DETECTIVE, CIRCA 1970
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This book uses previously unknown archive materials to explore the meaning of the term ‘incapable of work’ over a hundred years (1911–present). Nowadays, people claiming disability benefits must undergo medical tests to assess whether or not they are capable of work. Media reports and high profile campaigns highlight the problems with this system and question whether the process is fair. These debates are not new and, in this book, Jackie Gulland looks at similar questions about how to assess people’s capacity for work from the beginning of the welfare state in the early 20th century. Amongst many subject areas, she explores women’s roles in the domestic sphere and how these were used to consider their capacity for work in the labour market. The book concludes that incapacity benefit decision making is really about work: what work is, what it is not, who should do it, who should be compensated when work does not provide a sufficient income and who should be exempted from any requirement to look for it.
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