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Wie die Dinge zusammenkamen
Zwischen 1900 und 1936 formierte sich im damaligen Völkerkundemuseum Basel eine Sammlung europäischer Ethnologie: Dinge des Alltags, des Glaubens und Dinge der Festlichkeiten kamen zusammen – zuerst aus der Schweiz, dann immer mehr auch aus anderen Teilen Europas. Welche Prozesse haben dazu geführt, dass rund 12000 Dinge aus ihrem einstigen Kontext herausgelöst und in eine museale Sammlung überführt wurden? Die Autorin versteht die Sammlung als Kristallisationspunkt unterschiedlicher Faktoren. Dazu gehören Zeitgeist, Weltgeschehen und gesellschaftliche Netzwerke ebenso wie Geldnot, Platzmangel und Schädlingsbefall. Sie haben im Zusammenspiel miteinander dazu geführt, dass die Dinge zusammenkamen. Das Buch geht einerseits den relevanten Faktoren nach und erzählt andererseits den Weg von 21 Einzeldingen.
Hunting the Gatherers
Between the 1870s and the 1930s competing European powers carved out and consolidated colonies in Melanesia, the most culturally diverse region of the world. As part of this process, great assemblages of ethnographic artefacts were made by a range of collectors whose diversity is captured in this volume. The contributors to this tightly-integrated volume take these collectors, and the collecting institutions, as the departure point for accounts that look back at the artefact-producing societies and their interaction with the collectors, but also forward to the fate of the collections in metropolitan museums, as the artefacts have been variously exhibited, neglected, re-conceived as indigenous heritage, or repatriated. In doing this, the contributors raise issues of current interest in anthropology, Pacific history, art history, museology, and material culture.
The Anticolonial Museum
The Anticolonial Museum acknowledges some of the consequences of colonialism in the current work of museums. Looking at museum theory in a critical way, it proposes a radical revision of museums’ rhetoric on decolonisation, as well as their public image and practices. Bringing together a collection of reflections on decolonisation through the observation of museum performance and discourse, the author considers current practices in response to the social claims of marginalised groups and activists. Drawing from a genealogy of decolonial thinking in museology, Brulon Soares identifies the inherent paradoxes reflected in museum work. The book’s focus is not exclusively on the reality of co...
Material Culture in Transit
Material Culture in Transit: Theory and Practice constellates curators and scholars actively working with material culture within academic and museal institutions through theory and practice. The rich collection of essays critically addresses the multivalent ways in which mobility reshapes the characteristics of artefacts, specifically under prevailing issues of representation and colonial liabilities. The volume attests to material culture as central to understanding the repercussions of problematic histories and proposes novel ways to address them. It offers valuable reading for scholars of anthropology, museum studies, history and others with an interest in material culture.
Oceanic Art
A documentary section about the principal cultural groups of the region provides an essential reference. An excellent map adds further value.
Sounds of Secrets
Double flute, shoulder flute, and large standing slit drums with carved decorations are only a few of the unique musical instruments used in the islands of Vanuatu. In many ways, the people of this South Pacific archipelago live according to their traditional cultures and conduct their rituals and ceremonies as their great-grandfathers had. This book deals comprehensively with traditional musical instruments and their role and function in ceremonies on Vanuatu. Music, dance, and musical instruments are not only means to highlight certain moments in ceremonies, but help to set up an entire network of secrets. The field notes, personal opinions, and ideas that are documented in this book are the result of an intensive study of over 20 years on music in south Melanesia. This is the first reference book on the music of Vanuatu that constitutes an invaluable source for musicologists and anthropologists alike, and it will surprise general readers with its interesting and lively accounts. (Series: SoundCultureStudies / KlangKulturStudien - Vol. 7)
Kultur_Kultur.
Kultur ist nicht nur seit nunmehr vier Jahrzehnten die zentrale Kategorie der Volkskunde und ihrer disziplinären Fortentwicklungen in Deutschland und darüber hinaus, Kultur ist - ungeachtet aller Problematik - auch eine der wirkmächtigsten Ordnungsvorstellungen der Moderne. Als Konzept der Selbstauslegung hat Kultur zu keiner Zeit eine ähnliche Reichweite und Anziehungskraft besessen wie heute, zugleich beschreibt sie ein Feld wachsender Ökonomien, ist weltweit Gegenstand politischen Handelns und nicht zuletzt Schlüsselbegriff und Fluchtpunkt einer Reihe von sich zusehends als Kulturwissenschaften verstehenden Fächern. Seit dem von Tübingen ausgehenden 'Abschied vom Volksleben' nimmt...
A Matter of Belief
'Nagaland for Christ' and 'Jesus Saves' are familiar slogans prominently displayed on public transport and celebratory banners in Nagaland, north-east India. They express an idealization of Christian homogeneity that belies the underlying tensions and negotiations between Christian and non-Christian Naga. This religious division is intertwined with that of healing beliefs and practices, both animistic and biomedical. This study focuses on the particular experiences of the Angami Naga, one of the many Naga peoples. Like other Naga, they are citizens of the state of India but extend ethnolinguistically into Tibeto-Burman south-east Asia. This ambiguity and how it affects their Christianity, global involvement, indigenous cultural assertiveness and nationalist struggle is explored. Not simply describing continuity through change, this study reveals the alternating Christian and non-Christian streams of discourse, one masking the other but at different times and in different guises.
