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Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Luksza places special emphasis on the most engaged spectators, known as "theatremaniacs"--from what they wore, to what they bought, to what they ate. The theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.
This much-updated edition of a ground-breaking book expands the broad coverage of its stimulating approach. With forty-five new photographs and accompanying essays, it convincingly demonstrates the complexity of the Jewish past in Polish Galicia and the attempts to memorialize its heritage, as well as the unexpected revival of Jewish life.
The key theme of the papers in this book concerns the prospects of building new urban environments and creating new societies in Europe during the interwar years. The contributions do not focus on the system of government – communist, fascist or democratic – but, rather, on what actually got built, by whom and why; and how the international communication of ideas was filtered through the prism of local concerns and culture. As such, the volume serves to tease out connections between urban form and social aspirations, and between the moral basis of social planning and how it was interpreted. Did the new towns of the interwar years actually create a planned society where visions met realities, aided by the design of new urban forms? This is one of the principal questions investigated by the contributors here in all the different political contexts of their chosen ‘new towns’.
A collection of essays exploring the different ways in which the ruined city of Pompeii has been a major source of inspiration to Western imaginations. Creative and popular, as well as scholarly approaches are covered, including an interview with the novelist Robert Harris, and the volume is fully illustrated, with several images in full colour.
Between 1939 and 1947 the county of Janów Lubelski, an agricultural area in central Poland, experienced successive occupations by Nazi Germany (1939-1944) and the Soviet Union (1944-1947). During each period the population, including the Polish majority and the Jewish, Ukrainian, and German minorities, reacted with a combination of accommodation, collaboration, and resistance. In this remarkably detailed and revealing study, Marek Jan Chodakiewicz analyzes and describes the responses of the inhabitants of occupied Janów to the policies of the ruling powers. He provides a highly useful typology of response to occupation, defining collaboration as an active relationship with the occupiers for reasons of self-interest and to the detriment of one's neighbors; resistance as passive and active opposition; and accommodation as compliance falling between the two extremes. He focuses on the ways in which these reactions influenced relations between individuals, between social classes, and between ethnic groups. Casting new light on social dynamics within occupied Poland during and after World War II, Between Nazis and Soviets yields valuable insight for scholars of conflict studies.
Książka jest pierwszą próbą ujęcia w szerokiej perspektywie dorobku polskich artystek dwudziestolecia międzywojennego w zakresie grafiki artystycznej. Ponad sto twórczyń z różnych środowisk artystycznych uprawiało tę dziedzinę, wyróżniając się oryginalnością postaw twórczych, różnorodnością i intensywnością poszukiwań własnych środków wyrazu, a także wysokim poziomem wykonania. Choć były one pierwszymi (po nielicznych poprzedniczkach tworzących w okresie Młodej Polski) profesjonalistkami, ich twórczość jest z reguły pomijana nie tylko z powodu płci graficzek, ale także statusu uprawianej przez nie dyscypliny, która przez wieki postrzegana była jak...
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