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En el campo de la educación popular, muy pocos estudios se preguntan por las subjetividades de quienes día a día hacen la educación popular. Escrito de manos de sus propias protagonistas, este libro es producto de una investigación que buscó identificar y potenciar las diversas capacidades personales que un grupo de educadoras populares ponen en marcha para no perder las esperanzas y continuar en el camino de la búsqueda de la transformación social. El estudio se basa en nueve relatos de vida, elaborados y sistematizados por las mismas educadoras populares, desde la perspectiva de sistematización del Grupo de Educación Popular de la Universidad del Valle. La reflexión y el anális...
Nonformal approaches to primary education in developing countries are described in detail in the hope that the discussion will benefit decision makers and planners confronting situations marked by mass rural illiteracy, urban marginalization, employment of young children, and ethnic and cultural differences between minorities and the majority society. Case studies from Brazil, China, India, and Venezuela are supplemented by an introduction and synthesis and a concluding summary of the findings. Additional material describes examples of special projects for out-of-school children in Colombia, Indonesia, and the Philippines. (RH)
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
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The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
Records for the 2d- sess. issued in two sections: v. 1, Proceedings and v. 2, Resolutions.