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O livro Economia Política da Comunicação: convergência tecnológica e inclusão digital reúne textos de pesquisadores do Brasil, Argentina, Espanha e Moçambique. Agrega um conjunto de pesquisas que se cruzam, se relacionam, algumas mais diretamente e outras de maneira menos direta. São investigações sociocomunicacionais, que, como regra geral, partem da Economia Política da Comunicação (EPC) e têm a convergência digital como foco, estudando o atual cenário midiático, em que se insere a participação social. Também esclarece como se dão suas dinâmicas de reprodução. Seus autores partilham interrogações, procedimentos, objetos, dados, metodologias e conceitos, em pesquisas que vão do Mestrado ao Pós-doutorado. Nesta dimensão, esta obra debate o papel da mídia e a participação dos diversos agentes sociais na construção de políticas públicas que possam responder às demandas de setores marginalizados, assim como colaborar permanentemente na busca por respostas aos problemas gerados pelo processo de exclusão social.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
It is 2008 when two innocent bystanders stumble onto a gruesome scene. A girl lies in the road, barely recognizable but alive. The dead body of a man rests a short distance away. The girl’s beloved dog, Pepe, is injured but devotedly guarding her. After Maria and Balke call for help, the girl is transported to the hospital where her identity remains a mystery. Raja Abdul Aziz is not a policeman, but instead, a man blessed with a mind that never forgets anything he sees or hears. When he is approached by two policemen who ask for his help solving the shocking case, he unwittingly unravels the story of Helena, a spoiled, thirteen-year-old heiress who first killed the kidnapper who violently attacked her and her dog, murdered his partner, and then was raised in secret by her rescuers to hide her identity. As more information rises to the surface, Aziz’s probe unfortunately leads to tragic circumstances as he unwittingly seals Helena’s doom. In this mysterious tale, a savant detective called upon to investigate a mass murder uncovers a surprising chain of events that ultimately decides a young woman’s fate.
Sarah Palin has many faces: hockey mom, fundamentalist Christian, sex symbol, Republican ideologue, fashion icon, "maverick" populist. But, above all, Palin has become one thing: an American obsession that just won't go away. Edited by two senior editors at 'The Nation' magazine, this sharp, smart, up-to-the-minute book examines Palin's quirky origins in Wasilla, Alaska, her spectacular rise to the effective leadership of the Republican Party, and the nightmarish prospect of her continuing to dominate the nation's political scene. With contributions by: Amy Alexander, Max Blumenthal, Juan Cole, Joe Conason, Jeanne Devon, Eve Ensler, Michelle Goldberg, Jane Hamsher, Christopher Hayes, Mark Hertsgaard, Jim Hightower, Linda Hirshman, Naomi Klein, Dahlia Lithwick, Amanda Marcotte, Shannyn Moore, John Nichols, Rick Perlstein, Tom Perrotta, Katha Pollitt, Robert Reich, Frank Rich, Hanna Rosin, Jeff Sharlet, Matt Taibbi, Michael Tomasky, Rebecca Traister, Katrina vanden Heuvel, Jessica Valenti, Patricia Williams, JoAnn Wypijewski and Gary Younge among others.
We live in a society in which messages associating physical attractiveness with success and happiness are pervasive.This book gives a detailed, authoritative account of research, policy, and practice in psychological aspects of appearance, including the role of the media in shaping people's attitudes and behaviors towards appearance.
Translation im „Dritten Reich" findet unter Ausnahmebedingungen statt. Im Krieg. Auf der Flucht. Im Exil. Im Konzentrationslager. Im Ghetto. Oder auch beim Militär an der Front. Die Geschichten dieser Translationsereignisse geben nicht nur einen Eindruck von den verheerenden Folgen der nationalsozialistischen Politik, sie zeigen auch wie in einem Brennglas Facetten von Translation, die in der alltäglichen Betrachtung von Dolmetschen und Übersetzen keine Beachtung finden, jedoch durchaus ein inhärenter Bestandteil von Translation sind. Darüber hinaus stellen sich mit dem Thema der Translation im „Dritten Reich" in besonderer Weise Fragen in Bezug auf das Schreiben von Translationsgeschichte. Translations-historiographische Ansätze und Fragestellungen stehen daher in diesem Band im Vordergrund.
Scholars have long recognized that ethnographic method is bound up with the construction of theory in ways that are difficult to teach. The reason, Allaine Cerwonka and Liisa H. Malkki argue, is that ethnographic theorization is essentially improvisatory in nature, conducted in real time and in necessarily unpredictable social situations. In a unique account of, and critical reflection on, the process of theoretical improvisation in ethnographic research, they demonstrate how both objects of analysis, and our ways of knowing and explaining them, are created and discovered in the give and take of real life, in all its unpredictability and immediacy. Improvising Theory centers on the year-long correspondence between Cerwonka, then a graduate student in political science conducting research in Australia, and her anthropologist mentor, Malkki. Through regular e-mail exchanges, Malkki attempted to teach Cerwonka, then new to the discipline, the basic tools and subtle intuition needed for anthropological fieldwork. The result is a strikingly original dissection of the processual ethics and politics of method in ethnography.
In this groundbreaking book for teens, research psychologist Professor Phillippa Diedrichs empowers us to respect our bodies and disrupt the harmful societal pressures we experience every day. By age 15, 60% of us lack body confidence. It’s now seen as normal to grow up feeling unhappy with our bodies. But it doesn’t have to be this way. From filtered faces and dangerous body expectations on social media, to the pressures put on us by friends and family, our bodies have been through enough. The time is now to rally against these outdated ideals and create communities that celebrate the diversity of our bodies. Through science and storytelling, Professor Diedrichs breaks down key topics s...
This textbook covers the entire Business Process Management (BPM) lifecycle, from process identification to process monitoring, covering along the way process modelling, analysis, redesign and automation. Concepts, methods and tools from business management, computer science and industrial engineering are blended into one comprehensive and inter-disciplinary approach. The presentation is illustrated using the BPMN industry standard defined by the Object Management Group and widely endorsed by practitioners and vendors worldwide. In addition to explaining the relevant conceptual background, the book provides dozens of examples, more than 230 exercises – many with solutions – and numerous ...
During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's The Last Stage (1948) and Aleksander Ford's Border Street (1949), and next explores the P...