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“Bouquet of Rasa” & “River of Rasa”
Bhanu is probably the most famous Sanskrit poet that no one today has ever heard of. His “Bouquet of Rasa” and “River of Rasa,” both composed in the early sixteenth century, probably under the patronage of the Nizam of Ahmadnagar in western India, attracted the attention of the most celebrated commentators in early modern India. Some of the greatest painters of Mewar and Basohli vied to turn his subtle poems into pictures. And his verses were prized by poets everywhere: Abu al-Fazl, the preeminent scholar at Akbar’s court, translated them into Persian, and, Kshetráyya, the great Andhra poet of the next century, adapted them into Telugu. Many writers have described the types of heroines and heroes of Sanskrit literature (the subject of the “Bouquet of Rasa”) or explained the nature of aesthetic emotion (that of the “River of Rasa”), but none did so in verse of such exquisite and subtle artistry.
The Tocharian Subjunctive
As one of the most central categories of the Tocharian verb, the subjunctive is of utmost importance for the reconstruction of the verbal system, the most rewarding domain of Tocharian historical grammar. Michaël Peyrot provides a thorough analysis of the formation of the subjunctive in both Tocharian languages, and establishes its meaning on the basis of a systematic investigation of a wealth of published and unpublished texts. A careful reconstruction of the Proto-Tocharian stage provides a solid base for the comparison with Indo-European and the derivation of the Tocharian subjunctive from the proto-language. With its focus on the wide variety of intricate morphological patterns, The Tocharian Subjunctive is at the same time a study of the whole Tocharian verbal system.
Old Diary Leaves
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"Rama&'s Last Act"
“Rama’s Last Act” by Bhava·bhuti is counted among the greatest Sanskrit dramas. The work at once dramatizes the “Ramáyana”—it is one of the earliest theatrical adaptations of Valmíki’s epic masterpiece—and revises its most intractable episode, the hero’s rejection of his beloved wife. Human agency in the face of destiny, the power of love, and the capacity of art to make sense of such mysteries are the themes explored in this singular literary achievement of the Indian stage. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
Epigraphia Carnatica
Epigraphia Carnatica is a scholarly work by Benjamin Lewis Rice and the Mysore Archaeological Department. The book provides a comprehensive survey of the inscriptions found in the Hassan District of southern India, with detailed translations and commentaries. This book is an invaluable resource for historians and linguists alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Inscriptions At Sravana Belgola
Unlock the secrets of one of India's most fascinating historical sites with this detailed guide to the inscriptions at Sravana Belgola. Featuring expert analysis and interpretation by archaeologist and epigraphist B. Lewis Rice, as well as detailed photographs and maps, this book is a must-read for anyone interested in Indian history, religion, and architecture. The Archaeological Survey of Mysore is a leading authority on Indian historical sites and is known for its meticulous research and documentation. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Laghu Kaumudi
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