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The Unseen
For a brief explosive period in the mid-1970s, the young and the unemployed of Italy’s cities joined the workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” united its opponents behind draconian measures more severe than any seen since the war. Nanni Balestrini, the poet of youth rebellion, himself a victim of that repression, has invented a remarkable fictional form to express the hopes and conflicts of the movement. In spare but vivid prose, The Unseen follows Autonomy’s trajectory through the eyes of a single working-class protagonist—from high-school rebellion, squatting and attempts to set up a free radio station to arrest and the brutalities of imprisonment. This is a powerful and gripping novel: a rare evocation of the intensity of commitment, the passion of politics.
We Want Everything
The explosive novel of Italy’s revolutionary 1969 It was 1969, and temperatures were rising across the factories of the north as workers demanded better pay and conditions. Soon, discontent would erupt in what became known as Italy’s Hot Autumn. A young worker from the impoverished south arrives at Fiat’s Mirafiori factory in Turin, where his darker complexion begins to fade from the fourteen-hour workdays in sweltering industrial heat. His bosses try to withhold his wages. Our cynical, dry-witted narrator will not bend to their will. “I want everything, everything that’s owed to me,” he tells them. “Nothing more and nothing less, because you don’t mess with me.” Around him...
We Want Everything
It was the Autumn of 1969, and Italy exploded. Across the north of the country, factory workers stormed out on strike, demanding better pay and working conditions. The slogan "We Want Everything" rang through the streets. Italy's "Hot Autumn" had begun. In Nanni Balestrini's fictionalized account of the uprising, a young worker from Italy's impoverished south arrives at Fiat's Mirafiori factory in Torino, where he barely scrapes by with fourteen hour days of backbreaking work. His frustration is palpable, and soon he is agitating again his bosses for fun and giving himself minor injuries to win sick leave. Soon enough, he is swept up by a snowballing worker movement that leads to months of continuous strikes at Mirafiori. Eventually, the conflict bubbles out of the factory. The growing pressure having produced an inevitable crack, the streets are lined with barricades, and tear gas wafts into private homes. Introduced by Rachel Kushner, author of the critically acclaimed The Flamethrowers, We Want Everything is an explosive account of a revolution that would clear the way for another decade of radical unrest.
The Unseen
For a brief explosive period in the mid-1970s, the young and the unemployed of Italy's cities joined the workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its "politics of refusal" united its opponents behind draconian measures more severe than any seen since the war. Nanni Balestrini, the poet of youth rebellion, himself a victim of that repression, has invented a remarkable fictional form to express the hopes and conflicts of the movement. In spare but vivid prose, The Unseen follows Autonomy's trajectory through the eyes of a single working-class protagonist-from high-school rebellion, squatting and attempts to set up a free radio station to arrest and the brutalities of imprisonment. This is a powerful and gripping novel: a rare evocation of the intensity of commitment, the passion of politics.
The New Avant-garde in Italy
The debate on literature and the arts provoked by the Italian neoavant-garde (neoavanguardia) is undoubtedly one of the most animated and controversial the country has witnessed from World War II to the present. Comprising the period between the late 1950s and the late 1960s, the phenomenon of the neoavanguardia involved key writers, critics, and artists, both as insiders - Sanguineti, Balestrini, Guglielmi, Eco, and others - and adversaries such as Pasolini, Calvino, and Moravia. In The New Avant-Garde in Italy - the first book in English to document the movement - John Picchione's objective is twofold: to provide a comprehensive analysis of the theoretical tenets that inform the works of t...
The Hard Crowd
A career-spanning anthology of essays on politics and culture by the best-selling author of The Flamethrowers includes entries discussing a Palestinian refugee camp, an illegal Baja Peninsula motorcycle race, and the 1970s Fiat factory wildcat strikes.
The Golden Horde
The Golden Horde is a definitive work on the Italian revolutionary movements of the 1960s and '70s. An anthology of texts and fragments woven together with an original commentary, The Golden Horde widens our understanding of the full complexity and richness of radical thought and practice in Italy during the 1960s and '70s. The book covers the generational turbulence of Italy's postwar period, the transformations of Italian capitalism, the new analyses by worker-focused intellectuals, the student movement of 1968, the Hot Autumn of 1969, the extra-parliamentary groups of the early 1970s, the Red Brigades, the formation of a radical women's movement, the development of Autonomia, and the buil...
A Boy Asleep Under the Sun
Annotation "Younger than Umberto Saba and Eugenio Montale but older than Pier Paolo Pasolini, who championed him, Sandro Penna has been virtually unknown in the English speaking world. With abruptness and clarity, these exquisite and sometimes disturbing lyrics come at you as if they had just been discovered, taken directly from the secret hand of the poet. In Peter Valente's extraordinary "variations" of texts dating from 1927 until Penna's death in 1977, the transmission is electric." Ammiel Alcalay Peter Valente's first encounter with Sandro Penna's poetry was while translating Pier Paolo Pasolini. At the time Valente was reading a biography on Pasolini and learned of his close friendship...
Nanni Balestrini
»30 years later we find that we are all still like we were in '45.« Der Künstler, experimentelle Dichter und Schriftsteller Nanni Balestrini (*1935) beschreibt in fieberhaften Rückblenden die miserablen Lebens- und Arbeitsbedingungen im Nachkriegsitalien, sowie die grauenhaften und traumatischen Erlebnisse in einem SS-Kriegsgefangenenlager in Deutschland aus der Sicht eines desillusionierten, doch kämpferischen Überlebenden. Er berichtet detailliert und ohne Punkt und Komma. Nachdem er bei der Rückkehr in die Heimat wegen seiner politischen Gesinnung vielfach abgewiesen wird, findet er Arbeit in den Minen von Carbonia. Die rücksichtlose Ausbeutung der Arbeiter und die reuelosen Faschisten rufen Erinnerungen an den Krieg wach und entfesseln seine kommunistischen Ideale. Der Streik der Bergarbeiter von Carbonia wird »sein Streik«, denn für ihn ist der Kommunismus die einzige Möglichkeit, sich mit Kameraden zu vereinigen und das Schweigen zu brechen. »Carbonia (We Were All Communists)« ist das Zeugnis eines Mannes der mehrere Leben in Sardinien, Deutschland und Australien gelebt hat und noch immer bedingungslos für Gerechtigkeit kämpft. Sprache: Deutsch/Englisch
Poetry on Stage
Based on meticulous research in the archives of some of the most prominent Italian avant-garde writers, Poetry on Stage examines the literary and ideological climate of the sixties and seventies.
