Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Victorian Ethical Optics
Explores the way that characters and figures in Victorian literature and visual art encountered and observed the bodies of others, particularly those bodies which were aberrant, deformed, and disabled.
Victorian Ethical Optics
Victorian Ethical Optics asks how artists and authors in the Victorian period answer the ethical question of how one should live with others by turning to a more specific one: how should one look at others? Looking would seem to necessarily lead to interpretation and judgment, but this book shows how Victorian artists and authors imagined other ethical and optical relations. In an era in which aberrant, deformed, and disabled bodies proliferated—particularly those bodies ravaged by industrial labor and poverty—the ideological and economic stakes of looking at such bodies peaked; moreover, as work became a gospel and the question of deservingness became central, looking at aberrant bodies...
Panoramas and Compilations in Nineteenth-Century Britain
This book shows how in nineteenth-century Britain, confronted with the newly industrialized and urbanized modern world, writers, artists, journalists and impresarios tried to gain an overview of contemporary history. They drew on two successive but competing conceptual models of overview: the panorama and the compilation. Both models claimed to offer a holistic picture of the present moment, but took very different approaches. This book shows that panoramas (360° views previously associated with the Romantic period) and compilations (big data projects previously associated with the Victorian fin de siècle) are intertwined, relevant across the entire century, and often remediated, making th...
This is Our Message
Marabel Morgan defines "the total woman"--Anita Bryant leads a moral crusade -- Beverly Lahaye defies feminism -- Tammy Faye Bakker becomes a gay icon -- Sarah Palin and Michele Bachmann vie for the White House
Serial Forms
Studies 'seriality' in nineteenth-century literary and popular print culture, focusing on literacy and the material history of reading in the period from 1815 to 1848.
Born This Way
"Across protests and courtrooms, LGBTQ activists argue that true sex or sexuality is encoded deep down, that it circulates in blood and is an expression of brain shapes and genetic codes. Their opponents incite panic over luring child groomers and a contagious "gender ideology" which corrupts the brains-and then bodies-of susceptible teenagers. In Born This Way: Science, Citizenship, and Inequality in the American LGBTQ Movement, Joanna Wuest tells the history of the LGBTQ rights movement, the modern scientific study of gender and sexuality, and the identity politics that formed at the nexus. She too reveals how conservative leaders have undermined science's ability to assist equal rights campaigns, reproductive rights, and climate change policies alike. Born This Way is at once a celebratory and cautionary tale, one which delineates a minority rights movement's impressive victories, its powerful and persuasive allies, and the ongoing assault on equality and science alike"--
In the Frame
The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.
At Home in the Eighteenth Century
The eighteenth-century home, in terms of its structure, design, function, and furnishing, was a site of transformation – of spaces, identities, and practices. Home has myriad meanings, and although the eighteenth century in the common imagination is often associated with taking tea on polished mahogany tables, a far wider world of experience remains to be introduced. At Home in the Eighteenth Century brings together factual and fictive texts and spaces to explore aspects of the typical Georgian home that we think we know from Jane Austen novels and extant country houses while also engaging with uncharacteristic and underappreciated aspects of the home. At the core of the volume is the clai...
Spectacular Disappearances
A look at England's larger-than-life figures in the 18th century shines a spotlight on contemporary celebrity
Parting Words
Valedictory addresses offer a way to conceptualize the relation of self to others, private to public, ephemeral to eternal. Whether deathbed pronouncements, political capitulations, or seafaring farewells, "parting words" played a crucial role in the social imagination of Victorian writing. In this compelling new book, Justin Sider traces these public addresses across a wide range of works, from poems by Byron, Tennyson, and Browning, to essays by Twain and Wilde, to novels by Dickens and Eliot. Ironically, while the Victorian era saw the loss of faith in a unitary national public, it asked poetry to address just such a public. Attending to the form, rather than the discursive content, of po...
