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What about Me?
According to current thinking, anyone who fails to succeed must have something wrong with them. The pressure to achieve and be happy is taking a heavy toll, resulting in a warped view of the self, disorientation, and despair. People are lonelier than ever before. Today’s pay-for-performance mentality is turning institutions such as schools, universities, and hospitals into businesses — even individuals are being made to think of themselves as one-person enterprises. Love is increasingly hard to find, and we struggle to lead meaningful lives. In What about Me?, Paul Verhaeghe’s main concern is how social change has led to this psychic crisis and altered the way we think about ourselves....
What About Me?
According to current thinking, anyone who fails to succeed must have something wrong with them. The pressure to achieve and be happy is taking a heavy toll, resulting in a warped view of the self, disorientation, and despair. People are lonelier than ever before. Today’s pay-for-performance mentality is turning institutions such as schools, universities, and hospitals into businesses, while individuals are being made to think of themselves as one-person enterprises. Love is increasingly hard to find, and we struggle to lead meaningful lives. In What about Me?, Paul Verhaeghe’s main concern is how social change has led to this psychic crisis and altered the way we think about ourselves. H...
The Fetish Room
Redmond O'Hanlon is known as an amiable anti-hero - the debunker of classical exploration literature - and here on this joint road trip with journalist Rudi Rotthier, O'Hanlon visits places from his dark childhood. With a fine sense of the comic and beautifully rendered observations of the people they encounter, Rotthier excels in painting a portrait of this English author as he details the escapades of their journey. O'Hanlon provides a stream of jokey anecdotes which offset the bleakness of almost all his memories as do their conversations on God, Darwin and nature. Plagued by depression and scarred by his childhood and sadistic teachers, O'Hanlon drinks excessively, pops caffeine and nicotine pills. One of his most important possessions is a jar containing some of the charred remains of a close friend who committed suicide. In his house in Oxfordshire piles of books have spilled over tables and shelves and tottering mounds of dirty crockery obscure the sink. Yet, unlikely as it may seem, this is a remarkably light-hearted, sensitive and funny book.
Power in Verse
English lyric poetry from Wyatt to Donne falls into three consecutive stylistic phases. Tottel's Miscellany presided over the first, making the lyrics of Wyatt and Surrey available for imitation by mid-century poets like Barnabe Googe, George Turberville, and George Gascoigne. The Shepheardes Calender and Sidney's Defense of Poesy ushered in the second, the Elizabethan or &"Golden&" phase of the 1580s and 1590s. In the third phase Donne and Jonson, reacting against the stylistic orientation of the Elizabethan poets, reconceived the status of &"poesy&" and resituated the lyric for a post-Elizabethan audience. Chapter 7 is shared between Donne and Jonson, post-Elizabethan writers who used meto...
In the Frame
The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.
Language and Liberation
Gathers authors with different backgrounds and methods to advance feminist discussions of the relation between language and women's oppression, suggesting promising new directions for further research.
Papers
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Parliamentary Papers
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Intersemiotic Translation
This book explores the practical aspects of intersemiotic translation, examining how different signs and sign sets can be transposed into different kinds of semiotic forms of reference. Drawing on theories from translation studies, semiotics, philosophy and stylistics, the author seeks to understand what happens when texts are translated from one genre or modality to another, and makes use of examples ranging from written texts to advertising, images, music, painting, photography, and sculpture. She also analyses related topics such as the differences between Romance and Germanic languages, the difficulties that arise when attempts are made to translate figures of speech or elements of authorial style, and how this interdisciplinary field relates to traditional language-based translation. This book will be of interest to students, teachers, translators and researchers working in the fields of translation studies and multimodality in particular.
