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From Husserl's account of protention to the recent turn to eschatology in "theological" phenomenology, the future has always been a key aspect of phenomenological theories of time. This book offers the first sustained reflection on the significance of futurity for the phenomenological method itself. In tracing the development of this theme, the author shows that only a proper understanding of the two-fold nature of the future (as constitution and as openness) can clarify the way in which phenomenology brings the subject and the world together. Futurity therefore points us to the centrality of the promise for phenomenology, recasting phenomenology as a promissory discipline.Clearly written and carefully argued, this book provides fresh insight into the phenomenological provenance of the "theological" turn and the phenomenological conclusions of Husserl, Levinas, and Derrida. Closely examining the themes of protention, eschatology, and the messianic, it will be essential reading for anyone interested in phenomenology, philosophy of religion, deconstruction, or philosophical theology.
The ’theological turn’ in continental philosophy and the ’turn to Paul’ in political philosophy have occasioned a return to radical theology, a tradition whose philosophical heritage can be traced to the death of God announced in the work of Nietzsche and Hegel. John D. Caputo’s deconstructive theology and Slavoj Zizek’s materialist theology are two radical theologies that explore what it might mean to pass through the death of God and to abandon this experience as specifically Christian. Radical Theology and Emerging Christianity demonstrates how these theologies are transforming everyday religious practices through an examination of the work of Peter Rollins and Kester Brewin, ...
Some religious traditions -- such as Lutheran, Wesleyan, and Eastern Orthodox -- have aesthetically rich resources on which to draw for the renewal of arts in everyday life. In contrast, Calvinism has generally been suspicious of the arts. The essays in this volume attempt to explore new avenues of thought about Calvinism's relation to the arts. Part historical, part theological, and part practical, they offer a wide-ranging exploration of neo-Calvinism's relationship to the arts, both at a general level and in connection with specific art forms. Overall they suggest that the neo-Calvinism espoused by Abraham Kuyper can and should make more of the arts than the traditional view of Reformed Christianity might be thought to allow. Contributors: Clifford B. Anderson John Barber James D. Bratt Michael Brutigam Janet Danielson Neal DeRoo John De Soto James Eglinton Matthew Kaemingk Jennifer Wang William Baltmanis Whitney Albert M. Wolters
tofaník provides a unique, personal reading of weak theology and tries to inhabit the gap between it and its founder, John D. Caputo. In this distinctive exploration of John D. Caputos work, tefan tofaník traces Caputos journey of philosophical discovery from his earlier, more conventional academic writings to his later, almost confessional works of weak theology and his deep engagement with Derrida. tofaník draws upon Caputos life story to help explain sudden shifts in Caputos thinking, offers intricate readings of philosophical passages that have all too often been taken for granted, and joins in Caputos effort to find a theology that can be trusted and that does n...
One of the marks of being a philosopher is participating in debates about what counts as "philosophy." Of particular note in such debates is the question of how to distinguish philosophy from theology. Although a variety of answers to this question have been offered in the history of philosophy, in recent decades, the prominence of Christian philosophy has been heralded by many as a genuine triumph over the problematic narrowness of strong foundationalism, positivism, and scientism. For others, however, it signals that philosophy continues to risk being replaced by confessional theology. Wherever one comes down on such issues, and however one interprets recent trends in philosophy of religio...
As a phenomenologist Lacoste is concerned with investigating the human aptitude for experience; as a theologian Lacoste is interested in humanity’s potential for a relationship with the divine, what he terms the ’liturgical relationship’. Beginning from the proposition that prayer is a theme that occurs throughout Lacoste’s writing, and using this proposition as a heuristic through which to view, interpret and critique his thought, this book examines Lacoste’s place amid both the recent ’theological turn’ in French thought and the post-war emergence of la nouvelle théologie. Drawing upon unpublished and out of print material previously only available in French, Romanian or German, the book will be of interest to scholars of philosophy, phenomenology and theology.
Even though the postmodern return of religion is dramatically shaping the future of twenty-first-century theology, its riches for preaching are rarely mined. Preaching After God highlights the trajectories of the postmodern return of religion by introducing readers to the positive theological themes stirring in the work of influential philosophers like Jacques Derrida, John Caputo, and Slavoj Žižek. Phil Snider shows how engaging their thought provides possibilities for preaching that highly resonate with postmodern listeners. Preachers familiar with the postmodern return of religion will appreciate its homiletical appropriation, while those introduced to it for the first time will discover just how much it is helpful for the preaching task. Six lectionary-based sermons are included as examples.
What is the relation between the novel and ethical thought? Henry James and the Promise of Fiction argues that the answer to this question lies not in the content of a work of fiction but in its form. Stuart Burrows explores the relationship between James's ethical vision and his densely metaphorical style, his experiments with narrative time, and his radical reimagining of perspective. Each chapter takes as its starting point a different aspect of an issue at the heart of moral philosophy: the act of promising. Engaging with a range of moral philosophers and literary theorists, most notably David Hume, Friedrich Nietzsche, Paul Ricoeur, and Jacques Derrida, Henry James and the Promise of Fiction argues that James's formal experimentation represents a significant contribution to ethical thought in its own right.
In Merleau-Ponty and Nishida, Adam Loughnane initiates a fascinating new dialogue between two of the twentieth century's most important phenomenologists of the Eastern and Western philosophical worlds. Throughout the book, the reader is guided among the intricacies and innovations of Merleau-Ponty's and Nishida's ontological approaches to artistic expression with a focused look at a rarely explored connection between faith and negation in their philosophies. Exploring the intertwining of these concepts in their broader ontologies invokes a reappraisal of the ambiguous status of religion and art in the writings of both thinkers. Measuring these ambiguities, the ontologies of Flesh and Basho a...
In this study, Calvin D. Ullrich argues for the political significance of the philosopher-theologian John D. Caputo's radical theology. Against the backdrop of present debates, the author traces the notions of 'sovereignty and event' by drawing on the political theology of Carl Schmitt and Caputo's evolving engagement with postmodern thought; from its genesis in Martin Heidegger to its deeply involved association with Jacques Derrida. Calvin D. Ullrich shows that contrary to some misleading interpretations of his religious deconstruction, Caputo has always held nascent political concerns which culminate in his radical theology. Writing for scholars working in contemporary philosophy and theology, this book offers one of the first major in-depth analyses covering Caputo's writings of the last four decades, and seeks to defend their relevance for discussions responding to ongoing political-theological challenges.