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Writing Paris
Exploring Paris as a desired and imagined place in Latin American postcolonial identity, Marcy E. Schwartz examines fiction by Julio Cortázar, Manuel Scorza, Alfredo Bryce Echenique, and Luisa Futoransky as she uncovers the city's class, gender, political, and aesthetic resonances for Latin America.
Order and Progress
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Folhas do caminho
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História Concisa da Literatura Brasileira
"In totally revised and updated edition by the author, that and professor of Brazilian Literature in the University of Sao Paulo, Cultrix presents to a university public this work again for he devoted, since it came to light in 1970, like the best in its genre. Divided into eight parts respectively dedicated to colonial condition, the Baroque, Arcadia and illustration, to Romanticism, the Pre-Modernism and Modernism and contemporary trends, the Concise History of Brazilian Literature, of each one of these moments an appreciation of their different trends by studying the following of its principal authors, about which provides the reader bibliographic data order besides a critical evaluation. And work that is especially recommended the attention of teachers and students of Brazilian Literature, both at the undergraduate or graduate level." --Translation of publisher's review.
Books in Brazil
No descriptive material is available for this title.
Essa gente do Rio...: modernismo e nacionalismo
Essa gente do Rio... recupera o percurso de intelectuais que, na década de 1930, a partir da capital da República, pensavam o Brasil, pondo em causa a identidade nacional e a própria modernidade possível de ser vivida pelo país. O livro é pois uma releitura de uma das construções que se fizeram da cultura nacional, prestando-se, também ele, a muitas releituras... Sintetizada dessa maneira, a obra já se nos afigura polêmica e instigante, pois vai de encontro à tendência que postula a centralidade do modernismo em São Paulo e na sua irreverente Semana de 22, vista como marco nacional da modernidade. Por este motivo, a obra chega em sua segunda edição neste Centenário da Semana de Arte Moderna de 1922.
