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"In October 2017, four internationally influential practitioners of immersive experiences gathered at the Snug Harbor Cultural Center on Staten Island in New York for a panel discussion on the creation of immersive productions. The panel, entitled "All the World is a Stage," was part of the Future of Storytelling Festival 2017 (FoST FEST), advertised as "the world's leading immersive storytelling event." During this discussion, each of the four panelists described examples of their work. Hector Harkness, Associate Director of Punchdrunk International, explained how the company created productions that "rip up the rules for the audience" so they can "go beyond the boundaries of closed environ...
A result of many years of research and practice, Changing the Performance is a book about the arts and about business, and the interplay between the two. Julia Rowntree gives a fascinating account of her experiences forging the business sponsorship campaign at the London International Festival of Theatre (LIFT). Raising intriguing questions, this book proposes that fundraising for the arts is much more than simply a function for generating income. It fulfils an ancient social role of connection across levels of power, expertise, culture, gender and generation. Rowntree describes why these dynamics are vital to society's ability to adapt. Changing the Performance is an inspiring manual for arts practitioners concerned with the relationship between business, the arts and wider society, and particularly those engaged in fundraising.
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Drama. YOU THE CITY was produced in New York City in 1988. It was re-produced in London in 1989 by the London International Festival of Theatre. A production in the Hague took place in 1990. This book includes the original New York script of the performance, performance instructions, notes, maps, charts, and photographs of the event as it was played out. "YOU THE CITY is so unique in idea, execution, and audience, that it beggars the most technical of descriptions"--London Sunday Times.
The intention of the International 06 exhibition, as with its predecessors, is to recognise the specific cultural context in which it is shown: Liverpool is unique in its people, history and built environment, and yet it is also representative of many post-industrial cities. The exhibition will be sensitive to the context of the city - made and seen in Liverpool.
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