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Never Again
Elderly British men display a variety of annoying habits. They write letters to the newspapers; they drink too much; they reminisce about the old days; they make lewd comments to younger women; they shout at the television screen; and they go for long walks and get lost. Jeremy Cameron chose the last of these options. Trying to emulate Patrick Leigh Fermor's feat of 1933, he walked from Hook of Holland to Istanbul. Leigh Fermor was a legendary figure. Scholar, multilinguist, beautiful prose stylist, war hero, tough guy, charmer and famous lover: Cameron is none of these things and he also suffers from a heart condition. Rest assured that there will be no tedious details of operations or stoi...
Problem Child
Adopted at eighteen months, Caradoc King was brought up in a large and growing family. His adoptive mother, a complex woman, was unable to bond with her newly adopted son and treated him with a harshness bordering on cruelty. At the age of six, he was sent to a boarding school run by two brilliantly eccentric brothers. But this happy time ended abruptly when his adoptive mother became a passionate Catholic and removed him from the school. From the age of eleven, Caradoc was shuttled from one school to the next, later failing to fulfil his mother's wish that he should join a seminary. When he was fifteen, he was informed that he had been adopted and, a year later, his parents ejected him from the family. Two years later, he scraped into Oxford and there, on his first day, he met Philip Pullman who was to become his first client when he set up as a literary agent. Thirty yearslater, Caradoc went in search of his natural family and began to make sense of the mystery of his two absent mothers.
Our Greatest Writers
Carrington takes the reader on an exploration of English literary heritage by reading small, digestible sections which form an ordered programme. Meet all the major English writers - who they were, what they wrote, their finest work and its significance.
The Law Journal
None
Touched With Fire
The definitive work on the profound and surprising links between manic-depression and creativity, from the bestselling psychologist of bipolar disorders who wrote An Unquiet Mind. One of the foremost psychologists in America, “Kay Jamison is plainly among the few who have a profound understanding of the relationship that exists between art and madness” (William Styron). The anguished and volatile intensity associated with the artistic temperament was once thought to be a symptom of genius or eccentricity peculiar to artists, writers, and musicians. Her work, based on her study as a clinical psychologist and researcher in mood disorders, reveals that many artists subject to exalted highs and despairing lows were in fact engaged in a struggle with clinically identifiable manic-depressive illness. Jamison presents proof of the biological foundations of this disease and applies what is known about the illness to the lives and works of some of the world's greatest artists including Lord Byron, Vincent Van Gogh, and Virginia Woolf.
The Woman Teacher
None
A Time and a Place
There anchoring, Peter chose from Man to hide, There hang his Head, and view the lazy Tide In its hot slimy Channel slowly glide. . . George Crabbe, eighteenth-century poet, clergyman and surgeon-apothecary, is best known for ‘Peter Grimes’, the tale of a sadistic fisherman that inspired Benjamin Britten’s opera of the same name. The brutal crimes and ‘tortur’d guilt’ of Grimes play out within the bleak, improbably beautiful setting of Aldeburgh. While Crabbe has fallen in and out of fashion, the Suffolk town and its landscape have continued to captivate writers and artists, including Britten, Ronald Blythe, Susan Hill and Maggi Hambling – all drawn to the stark coastline, eerie mudflats and open skies. In A Time and a Place, Frances Gibb engages afresh with Crabbe’s writing – tracing, for the first time, the resonance of this place in his life and work. She delves into his creative struggles, religious faith, romantic loves and opium addiction. Above all, she explores the continual lure – for Crabbe and those who have followed – of the ‘little venal borough’, and the land and sea beyond.
Illegitimacy, Family, and Stigma in England, 1660-1834
Illegitimacy, Family, and Stigma is the first full-length exploration of what it was like to be illegitimate in eighteenth-century England, telling stories of individuals across the socio-economic scale. This vivid investigation of the meaning of illegitimacy gets to the heart of powerful inequalities in families, communities, and the state.
Footlights!
A history of Cambridge University Footlights.
