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From Da Ponte to the Casa Italiana
The Casa Italiana—a neo-Renaissance palazzo located on Amsterdam Avenue near 117th Street—has been the most important expression of the Italian presence on Columbia University’s campus since its construction in 1927. As a site of interdisciplinary scholarship and promotion of Italian culture, the Casa Italiana has made a substantial contribution to the academic study of Italy in America and the understanding of Italian cultural identity abroad. Celebrating the Casa’s ninetieth anniversary, From Da Ponte to the Casa Italiana documents and recounts the history of the individuals, both Italian and American, who contributed to the formation of Columbia University’s rich tradition of It...
The Vernacular Aristotle
The first study of the reception of Aristotle in Medieval and Renaissance Italy that considers the ethical dimension of translation.
Jack Frusciante Has Left the Band
An international bestseller, this hot, hip and quirky love story from a talented young Italian author has been hailed as the Catcher in the Rye of the 90's.
Divorce Islamic Style
It's 2005. The Italian secret service has received intel that a group of Muslim immigrants based in Rome's Viale Marconi neighborhood is planning a terrorist attack. Christian Mazzari, a young Sicilian court translator who speaks perfect Arabic, goes undercover to infiltrate the group and learn who its leaders are. Christian poses as Issa, a recently arrived Tunisian in search of looking for a place to sleep and a job. He soon meets Sofia, a young Egyptian immigrant whose life with her husband, Said a.k.a. Felice, an architect who has reinvented himself as a pizza cook, is anything but fulfilling. In alternating voices, with an anthropologist's keen eye and sparkling wit Lakhous examines the commonplaces and stereotypes typical of life in multicultural societies. Divorce Islamic Style mixes the rational and the absurd as it describes the conflicts and contradictions of today's world. Marvelous set pieces, episodes rich in pathos, brilliant dialogue, and mordant folk proverbs combine as the novel moves towards an unforgettable and surprising finale that will have readers turning back to the first page of Lakhous's stunning novel to begin the ride all over again.
Women's Writing in Italy, 1400–1650
Winner, 2009 Best Book Award, Society for the Study of Early Modern WomenWinner, 2008 PROSE Award for Best Book in Language, Literature, and Linguistics. Professional and Scholarly Publishing Division of the Association of American Publishers This is the first comprehensive study of the remarkably rich tradition of women’s writing that flourished in Italy between the fifteenth and early seventeenth centuries. Virginia Cox documents this tradition and both explains its character and scope and offers a new hypothesis on the reasons for its emergence and decline. Cox combines fresh scholarship with a revisionist argument that overturns existing historical paradigms for the chronology of early modern Italian women’s writing and questions the historiographical commonplace that the tradition was brought to an end by the Counter Reformation. Using a comparative analysis of women's activities as artists, musicians, composers, and actresses, Cox locates women's writing in its broader contexts and considers how gender reflects and reinvents conventional narratives of literary change.
Clash of Civilizations over an Elevator at Piazza Vittorio
A small culturally mixed community living an apartment building in the center of Rome is thrown into disarray when one of the neighbors is murdered. An investigation ensues and as each of the victim's neighbors is questioned, the reader is offered an all-access pass into the most colorful neighborhood in contemporary Rome. Each character takes his or her turn center-stage, giving evidence, recounting his or her story, the dramas of emigration, the daily equivocations of immigration, the fears and misunderstandings of a life spent on society's margins, abused by mainstream culture's fears and indifference, preconceptions and insensitivity. What emerges is a touching story that is common to us...
Mass Culture and Italian Society from Fascism to the Cold War
From the 1930s to the 50s in Italy commercial cultural products were transformed by new reproductive technologies and ways of marketing and distribution, and the appetite for radio, films, music and magazines boomed. This book uses new evidence to explore possible continuities between the uses of mass culture before and after World War II.
Against the Avant-Garde
"This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--
The Italian Novella
The novella was an important medieval and Renaissance prose narrative form that developed out of exempla and didactic literature and contributed to modern narrative forms. This is the first collection of essays dedicated to comprehensive scholarship on the Italian novella. The essays range from work on the Decameron , the epitome of the genre, to studies of sixteenth century authors who often utilized transgressive or sexual themes in their novellas.
About Face
How do we represent ouselves and the cultures we live in? Is it possible to trace any boundaries between reality and self-representation? Because the self represented is the product of a process of selection and choice, in many ways to represent the self is, often simultaneously, to create the self and negate the self. What, then, becomes of the self once it is represented? Because the process of self-representation cumulates in a tangible result and given that any representation of the self is necessarily a construct which aims to render visible or knowable in concrete form the unseen and unknown, self-representation is vulnerable to assessments of its naturalness or artificiality, its hone...
