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She Is Weeping
A new understanding of the rise, expansion and perpetuation of slavery in the Atlantic World.
Africans and the Politics of Popular Culture
Explores the instrumentalization of various aspects of popular culture in Africa.
Thinking the Re-Thinking of the World
As far too many intellectual histories and theoretical contributions from the ‘global South’ remain under-explored, this volume works towards redressing such imbalance. Experienced authors, from the regions concerned, along different disciplinary lines, and with a focus on different historical timeframes, sketch out their perspectives of envisaged transformations. This includes specific case studies and reflexive accounts from African, South Asian, and Middle Eastern contexts. Taking a critical stance on the ongoing dominance of Eurocentrism in academia, the authors present their contributions in relation to current decolonial challenges. Hereby, they consider intellectual, practical and...
Resistance
In Resistance: Sol Plaatje and South Africa, Shane Moran studies Sol Plaatje, the founding secretary of what was to become the African National Congress (ANC), and his work within the context of colonial politics and resistance. Arguing for a return to the study of one of the founders of anti-racism, Moran explores issues of land reform, human rights, and the legacy of colonialism. Through an in-depth analysis of Plaatje’s resistance to racial domination, Moran examines the nature of the struggles that continue within and beyond South Africa today. In particular, Moran analyzes events from the beginning of the previous century that shaped post-1994 South Africa, such as the resolution of the ANC to expropriate land without compensation.
African Intellectuals and the State of the Continent
This festschrift is composed in honor of a distinguished scholar and Pan-Africanist, Professor Sulayman S. Nyang, whose career and intellectual pursuits spans more than 45 years—much of it at Howard University. Nyang’s contributions to African affairs transcend the scope of the academic world as he served as First Secretary and Head of Chancery of the Gambian Embassy in Saudi Arabia from 1975 to 1977, and consultant to the World Bank and United Nations agencies. In addition, Professor Nyang served as the President of the Interfaith Conference of Metropolitan Washington, DC, and a member of the boards of many academic journals, and organizations of Islamic Studies in the USA. He has published copiously on a variety of issues affecting continental Africans, Africans in the Diaspora, and beyond. He has published and collaborated on dozens of books and book chapters and more than 100 articles in referred journals.
The Third World in the Global 1960s
Decades after the massive student protest movements that consumed much of the world, the 1960s remain a significant subject of scholarly inquiry. While important work has been done regarding radical activism in the United States and Western Europe, events in what is today known as the Global South-Asia, Africa, and Latin America-have yet to receive the requisite attention they deserve. This volume inserts the Third World into the study of the 1960s by examining the local and international articulations of youth protest in various geographical, social, and cultural arenas. Rejecting the notion that the Third World existed on the periphery, it situates the events of the 1960s in a more inclusi...
The Invention of God in Indigenous Societies
Indigenous societies around the world have been historically disparaged by European explorers, colonial officials and Christian missionaries. Nowhere was this more evident than in early descriptions of indigenous religions as savage, primitive, superstitious and fetishistic. Liberal intellectuals, both indigenous and colonial, reacted to this by claiming that, before indigenous peoples ever encountered Europeans, they all believed in a Supreme Being. The Invention of God in Indigenous Societies argues that, by alleging that God can be located at the core of pre-Christian cultures, this claim effectively invents a tradition which only makes sense theologically if God has never left himself without a witness. Examining a range of indigenous religions from North America, Africa and Australasia - the Shona of Zimbabwe, the "Rainbow Spirit Theology" in Australia, the Yupiit of Alaska, and the Māori of New Zealand – the book argues that the interests of indigenous societies are best served by carefully describing their religious beliefs and practices using historical and phenomenological methods – just as would be done in the study of any world religion.
With Eyes and Ears Open: The Role of Visitors in the Society of Jesus
In With Eyes and Ears Open: The Role of Visitors in the Society of Jesus, twelve historians examine important visitations in the history of the Society. After a thorough investigation of the nature and role of the “visitor” in Jesuit rules and regulations, ten visitations of missions and provinces—from Peru in the sixteenth century, to Ireland in the seventeenth, to the Zambesi mission and Australia in the twentieth—are considered. Visitors, appointed by the superior general in Rome, surveyed the situation for fidelity to the Jesuit way of life, resolved any problems, and recommended future paths, often to the disapproval of Jesuit hosts. One contribution concerns the canonical visitation of the non-Jesuit Francis Saldanha da Gama in 1758, which resulted in the expulsion of the Jesuits from Portugal in 1759.
Acts of Transgression
Fifteen writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa, focusing on a wide range of perspectives, personalities and theoretical concerns Contemporary South African society is chronologically ‘post’ apartheid, but it continues to grapple with material redress, land redistribution and systemic racism. Acts of Transgression represents the complexity of this moment in the rich potential of a performative art form that transcends disciplinary boundaries and aesthetic conventions. The contributors, who are all significantly involved in the discipline of performance art, probe its intersection with crisis and socio-...
