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This much-needed volume scrutinises in detail the relationship between archaeology, heritage and the public. Featuring case studies from around the world.
The book is the result of a nationwide survey in the UK that measured public use of and attitudes to the past, archaeology and collecting. The author reviews this research in the light of contemporary theory on ideology and representation and goes on to develop a convincing explanation for the failure of museums and similar institutions to connect with the majority of the public. Merriman marshals the empirical and theoretical work to make a powerful case for a new approach to attract the under served populations; one which encourages a view of the museum as a service helping its public to see, understand and engage with its own personal, local and multi-faceted past.
This text examines the debate about interpretation and making history in the context of archaeological museums. the reliance of those working on the early periods of the past on the fragmentary information provided by archaeology, as well as an imperfect documentary record, brings its own interpretative challenges. While much has been written in the context of archaeological theory about the partiality and subjectivity of archaeologists' interpretations of the past, less has been written about the implications of this for the interpretations of archaeology by a non-specialist audience in museums. As a result, the past presented in archaeological museums has tended to follow a traditional and uncritical model.
This book offers a detailed case study of the transfer of ownership to Nigeria in November 2022 of the 72 artworks in the Horniman’s collections looted by the British from Benin City in 1897, as an occasion to explore the current state of the issue of restitution of cultural objects. It argues that we are at a tipping point, where decades of debate but little action about restitution is now changing to a period when at least the most egregious examples of colonial looting are being addressed. It summarises the key issues involved in these returns, outlines the processes and procedures undertaken by the Horniman, and offers recommendations and reflections for the future.
With essays by Charles Saumarez Smith, Ludmilla Jordanova, Paul Greenhalgh, Colin Sorensen, Nick Merriman, Stephen Bann, Philip Wright, Norman Palmer and Peter Vergo. "A lively and controversial symposium ... thought-provoking"—The Sunday Times (Paperbacks of the Year, 1989) "The essays are all distinguished by their topicality and lucidity."—MuseumNews "A welcome addition to the library of Museology"—Art Monthly "The New Museology is essential reading for all those seeking to understand the current debate in museum ideologies."—International Journal of Museum Management and Scholarship
The book is the result of a nationwide survey in the UK that measured public use of and attitudes to the past, archaeology and collecting. The author reviews this research in the light of contemporary theory on ideology and representation and goes on to develop a convincing explanation for the failure of museums and similar institutions to connect with the majority of the public. Merriman marshals the empirical and theoretical work to make a powerful case for a new approach to attract the under served populations; one which encourages a view of the museum as a service helping its public to see, understand and engage with its own personal, local and multi-faceted past.
Using the latest research and illustrated by photographs and reconstructions, this book gives a glimpse into the lives of thousands of generations of people who have lived in the region we now call London.
Ethics of Contemporary Collecting addresses pressing and pertinent issues around ethical contemporary collecting, reflecting on how practices are evolving or in flux. Across three sections, each containing live sector subjects from the climate crisis to digital collecting to centring communities, this book collates a combination of case studies and in-depth chapters by leading practitioners working in the field. These pieces are instructive and provide practical, transferable examples of how people have approached these challenges. It highlights examples of leading practice in the field and illustrates ethical approaches to contemporary collecting as work in this area progresses and our conversations about it advance. To reflect this ongoing growth, the book closes with an ‘Activations’ section of discussion prompts intended to keep the conversations and progress – on individual, institutional and societal levels – going. Ethics of Contemporary Collecting is an indispensable tool for informing, training and educating the next generation of curators and collection professionals, and inspiring future collecting projects.
This comprehensive history of the Museum of London traces the ways that the relationship between Britain and its imperial past has changed over the course of three decades, providing a holistic approach to galleries’ shifts from Victorian nostalgia to equitable representations. At its 1976 opening, the Museum of London differed from other museums in its treatment of empire and colonialism as central to its galleries. In response to the public’s evolving social and political attitudes, the museum’s 1993–1994 ‘The Peopling of London’ exhibition marked a new approach in creating inclusive displays, which explore the impact of immigration and multiculturalism on British history. Through photos, planning documents, and archival research, this book analyses museums’ role in enacting change in the public’s understanding of history, and this book is the first to critically engage with the Museum of London’s theme of empire, particularly in consideration of recent exhibitions. Legacies of an Imperial City is a useful resource for academics and researchers of postcolonial history and museum studies, as well as any student of urban history.
Twenty-six leading scholars from around the world have come together to celebrate the strengths, the energies and the sheer intellectual excitement of their discipline. They unashamedly proclaim that over the last hundred years archaeology has transformed itself from a genteel antiquarianpursuit, deeply rooted in the classical tradition, to a rigorous and demanding discipline, spanning the humanities and the sciences, yet at the same time one widely accessible to the public at large. The contributors show how our understanding of the past has changed, reveal the exciting ideas under current debate, and offer their visions of the future.The result is a remarkable overview of world archaeology, focusing on new and unexpected themes at the cutting edge of the discipline.