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A Changing Art
  • Language: en
  • Pages: 180

A Changing Art

  • Type: Book
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  • Published: 2017-08-16
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  • Publisher: Unknown

-A selection of case-study led papers accompanying British Association of Paintings Conservator-Restorers (BAPCR) conference 2016 This publication contains papers from the BAPCR Conference 2016. Papers include talks on past issues and current problems. They examine approaches to restoration and the presentation of paintings in the nineteenth century as well as technical analysis and research into nineteenth-century artists' materials and working methods. The conference also studied the challenges faced by today's conservators when treating works from this period. The papers are illustrated with a large range of case studies.

Conserving Canvas
  • Language: en
  • Pages: 1137

Conserving Canvas

  • Categories: Art

The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witn...

Household Goods and Good Households in Late Medieval London
  • Language: en
  • Pages: 337

Household Goods and Good Households in Late Medieval London

The Black Death that arrived in the spring of 1348 eventually killed nearly half of England's population. In its long aftermath, wages in London rose in response to labor shortages, many survivors moved into larger quarters in the depopulated city, and people in general spent more money on food, clothing, and household furnishings than they had before. Household Goods and Good Households in Late Medieval London looks at how this increased consumption reconfigured long-held gender roles and changed the domestic lives of London's merchants and artisans for years to come. Grounding her analysis in both the study of surviving household artifacts and extensive archival research, Katherine L. Fren...

15th Triennial Conference, New Delhi, 22-26 September 2008
  • Language: en
  • Pages: 612
John Constable
  • Language: en

John Constable

  • Categories: Art

This beautiful book showcases the enduring power of Constable's landscapes. It places the artist in the context of his historical and ongoing influences and charts Constable's progress from his early works to the oils that helped to define our idea of the English countryside.

Old Masters in New Colours
  • Language: en
  • Pages: 264

Old Masters in New Colours

  • Categories: Art

The study of the artworks of the Old Masters has long been the prerogative of art historians alone. Expertise and other art-historical methods can now make much greater use than ever before of the findings of the so-called exact sciences. These make it possible to acquire new knowledge about works of art of the past that is not obvious to our eyes. Imaging and instrumental methods for the study of works of art often allow us to literally “look into the painting”, below the surface of what we see, and observe the work in different areas of the invisible spectrum of electromagnetic radiation, for example. By using various research methods – with the necessary caution and awareness of the...

What Photographs Do
  • Language: en
  • Pages: 357

What Photographs Do

  • Categories: Art
  • Type: Book
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  • Published: 2022-11-21
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  • Publisher: UCL Press

What are photographs ‘doing’ in museums? Why are some photographs valued and others not? Why are some photographic practices visible and not others? What value systems and hierarchies do they reflect? What Photographs Do explores how museums are defined through their photographic practices. It focuses not on formal collections of photographs as accessioned objects, be they ‘fine art’ or ‘archival’, but on what might be termed ‘non-collections’: the huge number of photographs that are integral to the workings of museums yet ‘invisible’, existing outside the structures of ‘the collection’. These photographs, however, raise complex and ambiguous questions about the ways ...

Vermeer and the Delft School
  • Language: en
  • Pages: 642

Vermeer and the Delft School

Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.

Medieval Clothing and Textiles
  • Language: en
  • Pages: 221

Medieval Clothing and Textiles

The best new research on medieval clothing and textiles, drawing from a range of disciplines.

Giants of Delft
  • Language: en
  • Pages: 166

Giants of Delft

  • Categories: Art

"In a widely researched and deeply considered book, Huerta argues that Vermeer's use of the camera obscura and other instrumental adjuncts parallels van Leeuwenhoek's pursuit of the "optical way," and embodies a profound philosophical connection between these investigators. Analyzing Vermeer's work, Huerta shows that the artist's choices were the result of his personal response to contemporary scientific discoveries, and the work of men such as van Leeuwenhoek, Christiaan Huygens, and Galileo Galilei. Furthermore, Huerta compares Vermeer's program of informed observation to the methods used by van Leeuwenhoek and other scientists to accumulate and analyze instrument-mediated knowledge. This approach enabled Vermeer to confront the same issues as natural philosophers regarding the interpretation of unfamiliar images presented by instrumental systems."--BOOK JACKET.