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Nigel Kennedy changed the course of classical music in the late 1980s with his interpretation of Vivaldi’s ‘Four Seasons’. He was revolutionary: in his performance and presentation; in his technique and his open-minded attitude. A natural boundary-pusher and musical adventurer, Nigel Kennedy blew minds - and sales records - as he became the best-selling violinist of all time. Instead of an Introduction, Nigel opens with a tongue-in-cheek ‘Warning’: readers should beware of his politically incorrect writing style and his frank take on the BBC, record companies, the Bavarian Police and any other ‘self-appointed wielders of power.’ It sets the tone for a truly original memoir that...
With a heavily revised format in consideration of the recent DCH clinical examination changes, this new edition of the comprehensive revision guide provides the candidate with a definitive, one-stop revision resource.Familiarise yourself with the revised format of the examination, including revised timingsLearn your revision needs through plentiful
The bestselling first volume of this biography of John F. Kennedy by Nigel Hamilton, author of the Whitbread Award-winning biography of Field Marshal Montgomery, has caused unprecedented controversy by its frankness and its overturning of myths. But whether or not family and the political establishment like it, it is the nearest we will ever get to the JFK story from JFK's own point of view. RECKLESS YOUTH is based on a wealth of hitherto unpublished material from JFK's closest surviving friends, from FBI, Navy college and National Archives records, as well as much new material in JFK's own words. 'Nigel Hamilton's story, told with great intelligence and sympathy, is of how Jack came to terms with his inheritance and frightful upbringing . . . He has done a splendid job . . . enthralling reading, ' DAILY TELEGRAPH
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The Rise, The Fall, and The Rise is the extraordinary story, in her own words, of Brix Smith Start. Best known for her work in The Fall at the time when they were perhaps the most powerful and influential anti-authoritarian postpunk band in the world -- This Nation's Saving Grace, The Weird and Frightening World Of ... -- Brix spent ten years in the band before a violent disintegration led to her exit and the end of her marriage with Mark E Smith. But Brix's story is much more than rock n roll highs and lows in one of the most radically dysfunctional bands around. Growing up in the Hollywood Hills in the '60s in a dilapadated pink mansion her life has taken her from luxury to destitution, from the cover of the NME to waitressing in California, via the industrial wasteland of Manchester in the 1980s. What emerges is a story of constant reinvention, jubilant highs and depressive ebbs; a singular journey of a teenage American girl on a collision course with English radicalism on her way to mid-life success on tv and in fashion. Too bizarre, extreme and unlikely to exist in the pages of fiction, The Rise, The Fall and The Rise could only exist in the pages of a memoir.
Rock music of all varieties has been influenced by classical music and vice versa, both in the form of direct quotes and in the form of borrowings of style, composition, and instrumentation. The average listener may be unaware of the many links between rock music and the classics. One might remember a few examples, such as Walter Murphy's chart-topping "A Fifth of Beethoven" or Eric Carmen's "All by Myself," but pass them off as interesting anomalies. However, the influence of the classics on rock music is pervasive and grows from a long line of precedents. This second supplement to Janell R. Duxbury's original 1985 discography, Rockin' the Classics and Classicizin' the Rock, brings the earl...
Soccer fandom has traditionally been seen as an important part of adolescent, generally male, identity making. In Post-Fandom and the Millennial Blues , Steve Redhead shows how this tradition of youth culture of fandom has been eroded in the last years of the twentieth century by the more fleeting, style conscious allegiances inspired by television, films and music. The clubs that young people follow are determined by advertising and popular music; the games that they watch are brought to them by the globalized culture of television, as in the world cup staged in America; even their fears of so-called soccer hooliganism are determined by media-engendered moral panics at a time when the phenomenon itself seems to be dying away.
It is 1535, and in the tumultuous years of King Henry VIII's break from Rome, the religious houses of England are being seized by force. Twenty-year-old Catherine Havens is a foundling and the adopted daughter of the prioress of the Priory of Mount Grace in a small Yorkshire village. Catherine, like her adoptive mother, has a gift for healing, and she is widely sought and admired for her knowledge. Catherine's hopes for a place at court have been dashed by the king's divorce, and she has reluctantly taken the veil. When the priory's costly altarpiece goes missing, Catherine and her friend Ann Smith find themselves under increased suspicion. King Henry VIII's soldiers have not had their fill of destruction, and when they return to Mount Grace to destroy the priory, Catherine must choose between the sacred calling of her past and the man who may represent her country's future.
Stories within stories, a few contemporary fables, a hint of the narrative complexity of Borges, a whiff of the gritty realism of pre- and post-communist life in Eastern Europe - these are the elements that come together in a unique and surprising way in the wildly imaginative and endlessly engaging short stories of Georgi Gospodinov. Whether a tongue-in-cheek crime/horror story or the Christmas story of a pig, a language game leading to an unexpected epiphany or an inward-looking tale built on the complexity of a puzzle box, the work in this collection offers a kaleidoscopic experience of a writer whose style has been described as anarchic, experimental (New Yorker) and compulsively readable (New York Times). Gospodinov's debut prose work Natural Novel was hailed as a go-for-broke postmodern construction - a devilish jam of jump-cut narration, pop culture riffs, wholesale quotation, and Chinese-box authorship (Village Voice). At once familiar and fantastic, his writing is high comedy, high seriousness, and of very high order.
The title poem of this collection chronicles the eighteenth-century trial of Captain John Bolton for the murder of his apprentice girl, Elizabeth Rainbow, in a small village in the north of England where Paul Munden has spent most of his life. The poem's reflection on the life writing process is complemented by other shadowings, glimpses of strange complicities and dark pastoral musings.