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"A philosophical exploration of the value of aesthetics in loss and grieving. Loss and grief are destabilizing forces. As a bereaved person grapples with the reality that their loved one is gone and feels only shakily connected to the surrounding world, the tangibility of sensory objects can be grounding. In Aesthetics of Grief and Mourning, philosopher Kathleen Marie Higgins highlights the role of aesthetics in the grieving process, offering a guide for how being attuned to aesthetics can aid those experiencing loss. While some activities associated with loss-such as participation in funerals-are culturally scripted, many others are relatively everyday, including attending to sensory objects, telling stories, reflecting on artworks, experiencing music, and engaging in creative projects. Higgins shows how attending to these aesthetic practices helps those who have experienced loss, and she also sheds light on the importance of aesthetic engagement with the world for individual and community flourishing"--
This ground-breaking study examines visual and literary responses to, and representations of, illness, dying and death from the perspective of the chronically ill, their families and carers, medics, artists, photographers, authors, and academics. It encourages a re-examination of cultural taboos and visual and literary practices that engage with illness and death. Focusing upon a wide range of creative and critical engagements, this book makes a significant contribution to the medical humanities via its exploration of medical practice, literature and film, digital media studies, graphic design, and both contemporary and historical attitudes towards illness, death (including infant mortality), mourning and bereavement. For some, the experience of illness provokes feelings of exile, crisis or social critique, whilst for others it instigates utopian discourses predicated upon personal reflection, communication or connectivity, wherein the “self” is redefined beyond the parameters and constraints of the “body”.
This book brings together the work of the late Anders Petersen, presenting his exciting and innovative transdisciplinary paradigm that offers insights into anxiety, depression and grief, and the connection between these conditions and the failings of contemporary civilization that give rise to them. With attention to the ways in which neoliberal hegemony and its imperatives of ‘performance’, ‘evaluation’, ‘self-realisation’, ‘resilience’ and ‘flexibility’ lead to self-criticism on the part of those who do not measure up to the prevailing criteria, resulting in ailments of mental health, it challenges the paradigmatic diagnosis of such conditions in terms of individual diseases or neurological malfunctions, to be treated by medication and training in order to return the individual to work and life ‘as normal’. An examination of the wrong-headed approach to what Petersen analysed as contemporary social pathologies, Enduring Modernity: Depression, Anxiety and Grief in the Age of Voicelessness will appeal to scholars of sociology and social theory, seeking new understandings aimed at emancipation from social suffering.
In response to systemic racism and institutions’ implications in histories of colonialism, nationalism, and exclusion, museum curators have embraced new ways of storytelling to face entangled memories and histories. Critical museum practices have consciously sought to unsettle established forms of representation, break with linear narratives of progress, and experiment with new modes of multivocal, multimedia, and subjective storytelling. The volume features analyses of narratives and narration in museums and heritage institutions today, as well as visions for future museum practices on a local, regional, national, transnational, and global scale. It is divided into three sections: Narrati...
Populární herečka Nina Divíšková svěřila svůj zajímavý životní příběh zkušené autorce Petře Braunové a vznikla tak kniha Nina. Kniha vás překvapí upřímností a nadhledem, s jakým Nina svůj leckdy nelehký životní běh prožila.
In this book, important works and approaches of policy-oriented emotion research are brought into a systematic context. For this purpose, three different types of emotions are elaborated, which in their totality constitute Homo Emotionalis: binary emotions, basic emotions, reflexive emotions. They correspond to individual-psychological stages of development, but are also relevant in the social and political handling of emotions. The interplay of emotion types and social constellations leads to different modes of political action, which shape different forms of emotional politics. In each case, individual logics emerge along which emotional politics is pursued. With its interdisciplinary focus, this volume is aimed at political scientists, anthropologists, sociologists and social psychologists.
German poet Friedrich Ruckert's (1788-1866) youngest children died of scarlet fever, the pandemic of his age. Over a six month period in 1834, he wrote hundreds of laments that were published posthumously in the classic poetry collection Kindertotenlieder. Here in English for the first time, these evocative modern translations by a fellow bereaved father reveal "an honest grappling with grief" (The Christian Century). Each poem is accompanied by insights into the bereaved, along with personal anecdotes, historical and cultural information, the latest research on grief, and discussions of literary and biblical allusions.
Nothing seems more far removed from the visceral, bodily experience of emotions than the cold, rational technology of the Internet. But as this collection shows, the internet and emotions intersect in interesting and surprising ways. Internet and Emotions is the fruit of an interdisciplinary collaboration of scholars from the sociology of emotions and communication and media studies. It features theoretical and empirical chapters from international researchers who investigate a wide range of issues concerning the sociology of emotions in the context of new media. The book fills a substantial gap in the social research of digital technology, and examines whether the internet invokes emotional...
This book explores death in contemporary society – or more precisely, in the ‘spectacular age’ – by moving beyond classic studies of death that emphasised the importance of the death taboo and death denial to examine how we now ‘do’ death. Unfolding the notion of ‘spectacular death’ as characteristic of our modern approach to death and dying, it considers the new mediation or mediatisation of death and dying; the commercialisation of death as a ‘marketable commodity’ used to sell products, advance artistic expression or provoke curiosity; the re-ritualisation of death and the growth of new ways of finding meaning through commemorating the dead; the revolution of palliative care; and the specialisation surrounding death, particularly in relation to scholarship. Presenting a range of case studies that shed light on this new understanding of death in contemporary culture, The Age of Spectacular Death will appeal to scholars of sociology, cultural and media studies, psychology and anthropology with interests in death and dying.
This innovative and thought-provoking Research Handbook explores not only current debates in the area of gender, sexuality and the law but also points the way for future socio-legal research and scholarship. It presents wide-ranging insights and debates from across the globe, including Africa, Asia, Eastern Europe and Australia, with contributions from leading scholars and activists alongside exciting emergent voices.