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The Ape Is Dead!
A young black student's journey towards true love
Professor Marvel
"Dubbed “Professor Marvel,” a popular black male professor at a predominantly white women’s college stresses over the comparison made between him and the Kansas charlatan turned Wizard of Oz. His dubiousness is confirmed when he succumbs to the charms of a student, an aspiring fashion model. Meanwhile, he keeps a secret affair with an older feminist colleague. The she-it hits the fan when her estranged husband becomes jealous and challenges him to a fistfight. Certain he’ll be blamed when the man’s pacemaker explodes, Professor Marvel takes flight. His prior indiscretion catches up to him when he discovers the fashion model exploits a sex tape as her steppingstone to fame."--Back cover.
Scott Free
Scott Free is an on the road story about an African American aspiring filmmaker stuck, ironically, working the concession stand at an upscale New York City movie theatre, while also trying to negotiate his dead-end relationships. He hops a Greyhound Bus $99 Special, but en route to Hollywood lands in San Francisco where he becomes a professional toilet bowl cleaner, "Scotty Tissues," and realizes that his life West resembles his life East as there's really no escaping oneself.
Assassin of Youth
"Assassin of Youth" is a lyrical, digressive, funny, and ultimately riveting quasi-biography of a little known man: Harry J. Anslinger, the first commissioner of the Federal Bureau of Narcotics. The J. Edgar Hoover of pot busts, Anslinger played a major role in the creation of America s prohibitionist drug policy and the racist and ineffective carceral state that resulted. But Anslinger himself was dull, ordinary, a square. How then does Alexandra Chasin write his biography? Her treatment of Anslinger, his times, and the mentalities that arose and prevailed around and through him is part cultural history, part lyrical meditation, and only part biography. Each of her short chapters is anchore...
Who's who in Contemporary World Theatre
A lively and accessible biographical guide to the key figures in modern drama and performance. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading.Who's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today.
Wole Soyinka
Biodun Jeyifo examines the connections between the innovative and influential writings of Wole Soyinka and his radical political activism. Jeyifo carries out detailed analyses of Soyinka's most ambitious works, relating them to the controversies generated by Soyinka's use of literature and theatre for radical political purposes. He gives a fascinating account of the profound but paradoxical affinities and misgivings Soyinka has felt about the significance of the avant-garde movements of the twentieth century. Jeyifo also explores Soyinka's works with regard to the impact on his artistic sensibilities of the pervasiveness of representational ambiguity and linguistic exuberance in Yoruba culture. The analyses and evaluations of this study are presented in the context of Soyinka's sustained engagement with the violence of collective experience in post-independence, postcolonial Africa and the developing world. No existing study of Soyinka's works and career has attempted such a systematic investigation of their complex relationship to politics.
Urban Philosophy
UrBan Philosophy is designed to enhance and refine the thought process of African people; to add a new dynamic to human thought and reasoning. It is a liberatory philosophy that seeks to foster liberation thinking, amongst African people, to facilitate liberation: African sovereignty. Many Africans are bound by what Dr. Asa Hilliard labeled "conceptual incarceration." They are locked and confined within Euro-Asian concepts, ideas, ideologies, systems, philosophies and institutions. None of which are truly suited for the African mind. This is not to imply African people cannot benefit from Euro-Asian concepts, ideologies, philosophies, systems and institutions because African people can. However, none of these were designed and developed for the benefit of African people, meaning, none were created to advance the interest of African people. Therefore, African people must break free of the mental chains, intellectual shackles and psychological straightjackets of foreigners; thereby, escaping from the system of "conceptual incarceration." This can only be done by transforming the existing thought process of African people, which UrBan Philosophy seeks to achieve.
The Beatification of Area Boy
Set in Nigeria, amid the scenes of everyday racketeering and general disquiet, the police try to clear the area of undesirables, as a traditional wedding between two illustrious and ambitious families is about to take place. This play is by Nobel Prize-winner Wole Soyinka.
A Dare too Far
Feeling responsible for damaging Lady Jane’s reputation, the Earl of Abbington arranges for a bevy of suitors to attend a house party so she can choose a husband from among them. But the more time he spends helping Lady Jane decide, the more he falls for her himself… A fun and charming Regency romance by a USA Today bestselling author! A daring lady. A caring earl. And a Christmas house party that turns love into a dangerous game. The Earl of Abbington is not a daring man. Responsible for the care of an opium-addicted uncle, George’s life poses dangers to a bride that he’ll never risk. It’s why he avoided the independent and kind Lady Jane last year, despite her brother’s request...
