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The City in African-American Literature
More recent African-American literature has also been noteworthy for its largely affirmative vision of urban life. Amiri Baraka's 1981 essay "Black Literature and the Afro-American Nation: The Urban Voice" argues that, from the Harlem Renaissance onward, African-American literature has been "urban shaped," producing a uniquely "black urban consciousness." And Toni Morrison, although stressing that the American city in general has often induced a sense of alienation in many African-American writers, nevertheless adds that modern African-American literature is suffused with an "affection" for "the village within" the city.
On Gwendolyn Brooks
A reassessment of the art and achievements of the first black author to win the Pulitzer Prize
Invisible Suburbs
"Were the 1950s an oppressive or a liberating time? Some scholars argue that the Red Scare, newly institutionalized discrimination against gays, and a public discourse saturated with sexism left wounds in American society. Others trace the origins of sixties liberation movements to the fifties and celebrate America's postwar prosperity or argue that such new phenomena as rock 'n' roll, teenage consumerism, and Beat poetry gave Americans a new sense of freedom and identity." "Invisible Suburbs advances a new synthesis of both views from the perspective of literary scholarship. Essayists ask how overlooked literature in the 1950s addressed or anticipated the struggles of disenfranchised groups to receive rights and recognition. Scholars analyze the many ways in which the decade's culture stigmatized women, minorities, and the poor. They uncover work that illustrates how groups and individuals challenged or resisted that oppression, fiction by authors who sometimes found roots in earlier liberation movements and anticipated later struggles."--BOOK JACKET.
The Baseball Novel
This annotated bibliography covers approximately 400 novels published from 1838 through 2007. A substantial introduction to the history and development of the genre precedes the chronologically arranged entries, which provide bibliographic details and extensive annotations on plot, themes, and compositional strengths and weaknesses. Mainstream novels by writers such as Hemingway, Wolfe, Roth, and DeLillo are included. Appendices provide historical overviews for the primary baseball subgenres, including mystery, fantasy, and science-fiction; lists for novels that foreground issues of race or ethnicity (or both, as in Winegardner's Vera Cruz Blues), gender (Gilbert's A League of Their Own), and class (Hay's The Dixie Association); and the author's rankings of great baseball novels overall and by subgenre.
A Member of the Local Nine
The first in-depth study of Kinsella's fiction since 1987, this book offers a unique and updated analysis. Utilizing a variety of approaches and the hermeneutical lenses of race, gender, class, religion, sexuality and post colonialism, this comprehensive text covers the five novels and numerous short stories featuring baseball. Topics include a broad history of both juvenile and adult baseball fiction, an overview of how the genre has grown since the early 1950s, and the various forms of national, community and individual identity that have formed around the sport. The bibliography offers a balance of primary baseball fiction and secondary scholarship, demonstrating the numerous approaches to the game and its literature.
The Cambridge Companion to Baseball
From Babe Ruth to the Black Sox scandal, this Companion examines baseball's history, global identity, current challenges and memorable personalities.
The Postwar African American Novel
Americans in the World War II era bought the novels of African American writers in unprecedented numbers. But the names on the books lining shelves and filling barracks trunks were not the now-familiar Richard Wright and Ralph Ellison, but Frank Yerby, Chester Himes, William Gardner Smith, and J. Saunders Redding. In this book, Stephanie Brown recovers the work of these innovative novelists, overturning conventional wisdom about the writers of the period and the trajectory of African American literary history. She also questions the assumptions about the relations between race and genre that have obscured the importance of these once-influential creators. Wright's Native Son (1940) is typica...
SNCC's Stories
Formed in 1960 in Raleigh, North Carolina, the Student Non-violent Coordinating Committee (SNCC) was a high-profile civil rights collective led by young people. For Howard Zinn in 1964, SNCC members were “new abolitionists,” but SNCC pursued radical initiatives and Black Power politics in addition to reform. It was committed to grassroots organizing in towns and rural communities, facilitating voter registration and direct action through “projects” embedded in Freedom Houses, especially in the South: the setting for most of SNCC’s stories. Over time, it changed from a tight cadre into a disparate group of many constellations but stood out among civil rights organizations for its pa...
Whiteness in the Novels of Charles W. Chesnutt
An examination of race and audience in an American innovator's writings
Black Power, Yellow Power, and the Making of Revolutionary Identities
Images of upraised fists, afros, and dashikis have long dominated the collective memory of Black Power and its proponents. The “guerilla” figure—taking the form of the black-leather-clad revolutionary within the Black Panther Party—has become an iconic trope in American popular culture. That politically radical figure, however, has been shaped as much by Asian American cultural discourse as by African American political ideology. From the Asian-African Conference held in April of 1955 in Bandung, Indonesia, onward to the present, Afro-Asian political collaboration has been active and influential. In Black Power, Yellow Power, and the Making of Revolutionary Identities, author Rychett...
