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Polygyny and Gender
The people of Africa have contrasting perspectives on gender, feminism, and the family from their Western counterparts. Similarly, social structures like, religion, capitalism and the law require a context-specific application to polygyny. This book examines the construction of gender identity in adults raised in Zulu polygynous families in the Hammarsdale area in KwaZulu-Natal, South Africa. It highlights the complexities of gender identities as participants negotiate between modern, constitutional, and individual freedoms and patriarchal, cultural, and communal customs and traditions. The themes also point towards the argument between individuality and collectivism in the creation of gende...
African Performance Arts and Political Acts
African Performance Arts and Political Actspresents innovative formulations for how African performance and the arts shape the narratives of cultural history and politics. This collection, edited by Naomi André, Yolanda Covington-Ward, and Jendele Hungbo, engages with a breadth of African countries and art forms, bringing together speech, hip hop, religious healing and gesture, theater and social justice, opera, radio announcements, protest songs, and migrant workers’ dances. The spaces include village communities, city landscapes, prisons, urban hostels, Township theaters, opera houses, and broadcasts through the airwaves on television and radio as well as in cyberspace. Essays focus on case studies from Cameroon, the Democratic Republic of the Congo, Nigeria, Senegal, South Africa, and Tanzania.
Écopoétiques africaines
« La lecture écopoétique des littératures africaines s'intéresse aux moments où des textes se nouent à des lieux pour lancer l'alerte sur un état du monde menacé par une catastrophe écologique dont la genèse coloniale reste encore peu explorée. Parce que l'extractivisme qui a présidé à l'aventure coloniale a soumis le continent à une gigantesque opération de zonage dont il souffre encore aujourd'hui, se réclamer des lieux est un enjeu important pour les littératures africaines. Dès la première moitié du XXe siècle, des écrivains anticolonialistes ont cherché à capter la puissance des lieux pour mener leur combat contre l'exploitation économique et la réification c...
Milestones in African Literature
Milestones in African Literature offers an accessible guide to ten key moments in African literature. It traces literature in Africa through forms and genres, as well as social and political changes. Toyin Falola embraces the richness of African literature, and considers the oral tradition, pre-colonial literature, apartheid, print media and digital literature, postcolonialism, and migration literature. He explores the realities of African people by drawing from and highlighting peoples’ convictions, spirituality, and pasts. The book reveals African literature’s capacity to convey cultural, social, and political messages through storytelling, while depicting the social structures and cultural norms that shape these experiences through the examination of perspectives and literary works of African authors. Milestones in African Literature is the ideal resource for undergraduate and graduate students interested in African literatures. It will also be invaluable for teachers and researchers aiming to strengthen their knowledge.
The Transformative Power of Language
A new study of the importance of language for sociocultural change in Africa, from postcolonial to globally competitive knowledge societies.
Bahlabelelelani – Why Do They Sing?
Indigenous societies, steeped in patriarchy, have various channels through which they deal with abusive characteristics of relations in some of these communities. One such route is through songs, which sanction women to voice that which, bound by societal expectations, they would not commonly be able to say. This book focuses on the nature of women’s contemporary songs in the rural community of Zwelibomvu, near Pinetown in KwaZulu-Natal. It aims to answer the question ‘Bahlabelelelani – Why do they sing?’, drawing on several discourses of gender and power to examine the content and purposes of the songs. Restricted by custom, women resort to allusive languages, such as found in ukushoza, a song genre that includes poetic elements and solo dance songs. The songs, when read in conjunction with the interviews and focus group discussions, present a complex picture of women’s lives in contemporary rural KwaZulu-Natal, and they offer their commentary on what it means to be a woman in this society.
Ethnographic Worldviews
This book discusses ethnography from the three points of view of Emerging Methodologies, Practice and Advocacy, and Social Justice and Transformation, with an over arching emphasis on researchers' and participants' worldviews. While these three thematic threads cut across each other, the actual chapters will be located so that the reader understand many of the current issues and concerns—with specific exemplars from around the globe—for ethnographers. 'Ethnographic Worldviews: Transformations and Social Justice' will have its "finger on the pulse" of contemporary ethnography. Chapters demonstrate up-to-the-moment awareness of ethnographic methods, concerns, and subject matters within contemporary ethnographic writing. Authors are deeply engaged in both their subject matter and their method. For example, discussion of ethical issues surrounding visual methods of "collecting" for photo-ethnographies is anticipated as a potential hot topic for this book. Unlike other ethnographic books which often suggest "giving voice to others", this book will actually give voice to a wide variety of perspectives, from the points of view of researchers.
Unstable Ground
What has gold done to people? What has it made them do? The Witwatersrand in South Africa, once home to the world’s richest goldfields, is today scattered with abandoned mines into which informal miners known as zama zamas venture in an illicit—often deadly—search for ore. Based on field research conducted across more than twenty-five years around these mines, Unstable Ground reveals the worlds that gold made possible—and gold’s profound costs for those who have lived in its shadow and dreamt of its transformative power. From the vantage point of the closure of South Africa’s gold mines, Rosalind C. Morris reconsiders their histories, beginning in the present and descending into ...
Folk Theatres of North India
This book examines folk theatres of North India as a unique performative structure, a counter stream to the postulations of Sanskrit and Western realistic theatre. In focusing on their historical, social and cultural imprints, it explores how these theatres challenge the linearity of cultural history and subvert cultural hegemony. The book looks at diverse forms of theatre such as svangs, nautanki, tamasha, all with conventions like open performative space, free mingling of spectators and actors, flexibility in roles and genres, etc. It discusses the genesis, history and the independent trajectory of folk theatres; folk theatre and Sanskrit dramaturgy; cinematic legacy; and theatrical space ...
