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Families are places of love, care, and fun; also of anger, anxiety, and quarrels. Not Speaking tells the story of a Greek matriarch, Rena, and her English children in post-war London and the present. It begins with Rena’s move out of a flat in St John’s Wood owned by her son Nicky Clarke, and the family disagreement that erupted. Moving through the London slums of Blackfriars, Greece under Nazi occupation, the Old Kent Road, Elephant and Castle, and the world of Mayfair hairdressing, this is a tale of enrichment and fame, infidelity and its consequences. And in the end, it has a message: every family is unique and all families are the same. * 'Wonderfully evocative – funny, illuminating and moving.' Jenny Uglow
Oliver Goldsmith arrived in England in 1756 a penniless Irishman. He toiled for years in the anonymity of Grub Street—already a synonym for impoverished hack writers—before he became one of literary London’s most celebrated authors. Norma Clarke tells the extraordinary story of this destitute scribbler turned gentleman of letters as it unfolds in the early days of commercial publishing, when writers’ livelihoods came to depend on the reading public, not aristocratic patrons. Clarke examines a network of writers radiating outward from Goldsmith: the famous and celebrated authors of Dr. Johnson’s “Club” and those far less fortunate “brothers of the quill” trapped in Grub Stre...
The fascinating story of one of the Eighteenth-century's most extraordinary women. Poetess, fallen woman and wit, Laetitia Pilkington spent her life as close to fame as she was near to ruin. Through humour and intelligence - and her skilful use of scandal, most notably in her Memoirs - she survived on the very fringes of respectability. This biography tells of a woman determined to be known as a writer on equal terms with men.
NEW YORK TIMES BEST SELLER • An inspiring and intimate self-portrait of the champion of equality that encompasses her brilliant tennis career, unwavering activism, and an ongoing commitment to fairness and social justice. “A story about the personal strength, immense growth, and undeniable greatness of one woman who fearlessly stood up to a culture trying to break her down.”—Serena Williams In this spirited account, Billie Jean King details her life's journey to find her true self. She recounts her groundbreaking tennis career—six years as the top-ranked woman in the world, twenty Wimbledon championships, thirty-nine grand-slam titles, and her watershed defeat of Bobby Riggs in the...
"I dined yesterday at Mrs Garrick's with Mrs Carter, Miss Hannah More and Miss Fanny Burney. Three such women are not to found; I know not where I could find a fourth, except Mrs Lennox, who is superiour to them all." --Samuel Johnson Dr. Johnson enjoyed the company of clever women. Dr. Johnson's Women explores his relationship with six remarkable and successful female authors, all of whom he knew well: Elizabeth Carter, Hannah More, Charlotte Lennox, Hester Thrale, Fanny Burney and Elizabeth Montagu. It is also an account of the characters and achievements of these women. It is often assumed that women writers in the eighteenth century suffered the same restrictions and obstacles that confronted their Victorian successors. Norma Clarke shows that this was by no means the case. Highlighting the opportunities available to women with talent in the eighteenth century, Dr. Johnson's Women makes clear just how impressive and varied their achievements were.
In September 1726, Mary Toft was found to have given birth to seventeen rabbits in Godalming, Surrey. The case caused a sensation and was reported widely in newspapers, popular pamphlets, poems and caricatures.
If Aphra Benn is widely regarded as the first important woman writer in English, who was the second? In literary history, the eighteenth century belongs to men: Pope and Swift, Richardson and Fielding. Asked to name a woman, even the specialist stumbles. Jane Austen? She didn't publish until 1811. Aphra Benn herself? She died in 1869. The Rise and Fall of the Woman of Letters tells the remarkable but little-known story of women writers in the eighteenth century - of poets, critics, dramatists and scholars celebrated in their own time but all but forgotten by the beginning of the new century. Eliza Haywood, Catherine Cockburn, Elizabeth Elstob, Delarivier Manley, Elizabeth Rowe, Jane Barker, Elizabeth Thomas, Anna Seward... In a book which ranges from country house to Grub Street, Norma Clarke recovers these and other writers, establishes the reasons for their eclipse and discovers that a room of one's own in the eighteenth century was as likely to be a prison cell as a boudoir.
A The Times and Sunday Times Book of the Year 'An enthralling and wonderfully vivid novel from a master storyteller' Joseph O'Connor 'Kneale's medieval world is animated with a refreshing lightness of touch' Sunday Telegraph 1289. A rich farmer fears he'll go to hell for cheating his neighbours. His wife wants pilgrim badges to sew into her hat and show off at church. A poor, ragged villager is convinced his beloved cat is suffering in the fires of purgatory and must be rescued. A mother believes her son's dangerous illness is punishment for her own adultery and seeks forgiveness so he may be cured. A landlord is in trouble with the church after he punched an abbot on the nose. A sexually dr...
Shortlisted for the PEN Hessell-Tiltman Prize 2022 Longlisted for the William M B Berger Prize for British Art History 2022 Guardian Art Book of the Year 2021 A dazzling, boldly original work that tells the powerful and passionate stories of a group of extraordinary women as glimpsed through their still life paintings What is contained in a still life – and what falls out of the frame? For women artists in the early twentieth century, such as Dora Carrington, Vanessa Bell and Gwen John, this art form was a conduit for their lives, their rebellions, their quietly subversive loves for men and women. But for every artist whom we remember, there are those whose work is almost forgotten. In This Dark Country, Rebecca Birrell conducts a dazzling fusion of group biography and art criticism, exploring, from the celebrated to the overlooked, the structures of intimacy that make – and dismantle – our worlds. 'A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last!' - Thérèse Oulton '[A] wonderful book. I am impressed and fascinated. It is beautifully written' - Celia Paul
Longlisted for the Authors' Club Best First Novel AwardA GUARDIAN SUMMER READING PICK'Sumptuous ... If you're feeling bereft after finishing The Mirror and the Light, let Jago transport you to the Jacobean court' Telegraph 'A bravura historical debut ... a gloriously immersive escape' Guardian -------------------------------------------------Frances Howard has beauty and a powerful family - and is the most unhappy creature in the world.Anne Turner has wit and talent - but no stage on which to display them. Little stands between her and the abyss of destitution.When these two very different women meet in the strangest of circumstances, a powerful friendship is sparked. Frankie sweeps Anne int...