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Naples '44
Re-released with a new foreword from Alex Kershaw, New York Times bestselling author of The Longest Winter and Resident Historian of the WWII Memorial. From the author Graham Greene called "one of our best writers, not of any particular decade but of our century," comes a masterpiece about a war-ravaged city under occupation As a young intelligence officer stationed in Naples following its liberation from Nazi forces, Norman Lewis recorded the lives of a proud and vibrant people forced to survive on prostitution, thievery, and a desperate belief in miracles and cures. The most popular of Lewis's twenty-seven books, Naples '44 is a landmark poetic study of the agony of wartime occupation and ...
Nunaga
Duncan Pryde, an 18-year-old orphan, ex-merchant-seaman, and disgruntled factory-worker left Glasgow for Canada to try his hand at fur-trading. He became so absorbed in this new life that his next ten years were spent living with Eskimos. He immersed himself in their society, even in its most intimate aspects: hunting, shamanism, wife-exchange and blood feuds. His record of these years is not only a great adventure-story, but an unrivalled record of a way-of-life which, along with the igloo, has now entirely disappeared.
On Persephone's Island
An American woman residing in Sicily for the past twenty years portrays the Sicilian landscape and customs--both rural and urban--from the perspectives of both a "foreigner" and a resident.
A Plague of Caterpillars
When local contacts tipped off Nigel Barley that the Dowayo circumcision ceremony was about to take place, he immediately left London for the village in northern Cameroon where he had lived as a field anthropologist for 18 months. The Dowayos are a mountain people that perform their elaborate, fascinating and fearsome ceremony at six or seven year intervals. It was an opportunity that was too good to miss, a key moment to test the balance of tradition and modernity. Yet, like much else in this hilarious book - the circumcision ceremony was to prove frustratingly elusive.This very failure, compounded by the plague of caterpillars of the book's title allows Nigel Barley to concentrate on every...
The Viewer as Poet: The Renaissance Response to Art
In The Viewer as Poet, Norman Land provides the first comprehensive survey of ekphrasis in literature and art criticism from antiquity through the Renaissance. Land demonstrates, more fully than anyone has so far, that Renaissance art criticism assimilated the poetic tradition of ekphrasis while maintaining its function of analyzing works of art. Broadly speaking, the book shows that purely literary descriptions of art in poetry and prose contain a response like that found in art-critical ekphrasis. This is true in both antiquity and the Renaissance. The response to art in the elder Philostratus's Imagines, for example, is like that found in the descriptions of Apuleius and Lucian. Later Dan...
Redreaming the Renaissance
Redreaming the Renaissance seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume’s dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation.
The Ashgate Research Companion to Giorgio Vasari
The Ashgate Research Companion to Giorgio Vasari brings together the world's foremost experts on Vasari as well as up-and-coming scholars to provide, at the 500th anniversary of his birth, a comprehensive assessment of the current state of scholarship on this important-and still controversial-artist and writer. The contributors examine the life and work of Vasari as an artist, architect, courtier, academician, and as a biographer of artists. They also explore his legacy, including an analysis of the reception of his work over the last five centuries. Among the topics specifically addressed here are an assessment of the current controversy as to how much of Vasari's 'Lives' was actually written by Vasari; and explorations of Vasari's relationships with, as well as reports about, contemporaries, including Cellini, Michelangelo and Giotto, among less familiar names. The geographic scope takes in not only Florence, the city traditionally privileged in Italian Renaissance art history, but also less commonly studied geographical venues such as Siena and Venice.
The Traveling Artist in the Italian Renaissance
This important and innovative book examines artists' mobility as a critical aspect of Italian Renaissance art. It is well known that many eminent artists such as Cimabue, Giotto, Donatello, Lotto, Michelangelo, Raphael, and Titian traveled. This book is the first to consider the sixteenth-century literary descriptions of their journeys in relation to the larger Renaissance discourse concerning mobility, geography, the act of creation, and selfhood. David Young Kim carefully explores relevant themes in Giorgio Vasari's monumental Lives of the Artists, in particular how style was understood to register an artist's encounter with place. Through new readings of critical ideas, long-standing regional prejudices, and entire biographies, The Traveling Artist in the Italian Renaissance provides a groundbreaking case for the significance of mobility in the interpretation of art and the wider discipline of art history.
