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The Oil Lamp
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Homeland and Other Poems
Homeland and Other Poems, Ogaga Ifowodo's first collection of poems, employs the idiom of stubborn hope and healing laughter to explore childhood lore, the pains and pleasure of existence, political heroism, villainy, love and tenderness. It is distinguished by a refreshing use of metaphor and an assuredness of expression.
Homeland & Other Poems
Ifowodo was a frontline student leader in the early eighties and is a lawyer and civil rights activist. In 1996 he was a writer-in-residence at the Heinrich Boell Foundation. He was imprisoned between 1997 and 1998 and was subsequently adopted by PEN. This is his first collection of poetry which won the 1993 Association of Nigerian Authors Poetry Prize. Many of the poems are responses to politics; or spring from the tensions between writing political poetry, or art for art's sake, and other competing subjects of poetry, such as romantic love. The poet, quoting Neruda, first asks the reader expecting a poetic celebration of his natural world to 'come see the blood in the streets'. In the section section he writes tributes to Tracey Chapman, Winnie and Nelson Mandela and Margeret Thatcher ('the butcher'). The subject of the third section is the rediscovery of romantic love, amidst and beyond turmoil and oppression.
Madiba
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History, Trauma, and Healing in Postcolonial Narratives
What would it mean to read postcolonial writings under the prism of trauma? Ogaga Ifowodo tackles these questions through a psycho-social examination of the lingering impact of imperialist domination, resulting in a refreshing complement to the cultural-materialist studies that dominate the field.
Before I Am Hanged
This is an extensive study of Kenule Saro-Wiwa, the Ogoni Minority and Human Rights activist who was judicially murdered in 1995. Questions of nationhood, ethnic minority and power politics in Nigeria are discussed in a collection of essays that examine the corpus of his literary and political ideas, pointing out the direction of his thought and the enduring contribution that Sara-Wiwa made to Nigeria's literary and political arenas.
Postcolonial Imaginations and Moral Representations in African Literature and Culture
The postcolonial African culture, as it is discoursed in the academia, is largely influenced by Africa’s response to colonialism. To the degree that it is a response, it is to considerably reactive, and lacks forceful moral incentives for social critical consciousness and nation-building. Quite on the contrary, it allows especially African political leaders to luxuriate in the delusions of moral rectitude, imploring, at will, the evil of imperialism as a buffer to their disregard of their people. This book acknowledges the social and psychological devastations of colonialism on the African world. It, however, argues that the totality of African intellectual response to colonialism and West...
Gathering Seaweed
This anthology introduces the African literature of incarceration to the general reader, the scholar, the activist and the student. The visions and prison cries of the few African nationalists imprisoned by colonialists, who later became leaders of their independent dictatorships and in turn imprisoned their own writers and other radicals, are brought into sharper focus, thereby critically exposing the ironies of varied generations of the efforts of freedom fighters. Extracts of prose, poetry and plays are grouped into themes such as arrest, interrogation, torture, survival, release and truth and reconciliation. Contributors include: Kunle Ajibade, Obafemi Awolowo, Steve Biko, Breyten Breyte...
Songs of Myself: Quartet
Songs of Myself: Quartet is deeply rooted in the indigenous African poetic tradition. The great udje poets first composed songs paying tribute to the god of songs, followed by songs of self-exhortation,and then songs mocking themselves before satirizing others. This collection incorporates some of these aspects of the oral poetic genre in its four-part structure. It deals with self-examination and the minstrel’s alter-ego as a way of attempting to know himself. So, there is self-mockery that justifies mocking others. The four parts of the collection are: “Pulling the Thread of the Loom,” “Songs of Myself,” “Songs of the Homeland Warrior,” and “Secret Love and Other Poems.”
