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The Oil Lamp
The unfolding carnage in his native Niger Delta,provides a frame from which Ogaga Ifowodo seeks to,mine meaning from the absurd. Ifowodo sings,fragments out of the deluge, born of complex,and diverse social registers, speaking,with a voice robustly universal yet,rooted in local lore. The public idiom of Udje,performance poetry sits comfortably with a private,and intimate rhetoric to generate a muscular,fighting poetry that startles with lyric,tenderness.
Madiba
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Homeland & Other Poems
Ifowodo was a frontline student leader in the early eighties and is a lawyer and civil rights activist. In 1996 he was a writer-in-residence at the Heinrich Boell Foundation. He was imprisoned between 1997 and 1998 and was subsequently adopted by PEN. This is his first collection of poetry which won the 1993 Association of Nigerian Authors Poetry Prize. Many of the poems are responses to politics; or spring from the tensions between writing political poetry, or art for art's sake, and other competing subjects of poetry, such as romantic love. The poet, quoting Neruda, first asks the reader expecting a poetic celebration of his natural world to 'come see the blood in the streets'. In the section section he writes tributes to Tracey Chapman, Winnie and Nelson Mandela and Margeret Thatcher ('the butcher'). The subject of the third section is the rediscovery of romantic love, amidst and beyond turmoil and oppression.
The Oil Lamp
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History, Trauma, and Healing in Postcolonial Narratives
What would it mean to read postcolonial writings under the prism of trauma? Ogaga Ifowodo tackles these questions through a psycho-social examination of the lingering impact of imperialist domination, resulting in a refreshing complement to the cultural-materialist studies that dominate the field.
Nation, power and dissidence in third generation Nigerian poetry in English
Nation, Power and Dissidence in Third Generation Nigerian Poetry in English is a theoretical and analytical survey of the poetry that emerged in Nigeria in the 1980s. Hurt into poetry, the poets collectively raise aesthetics of resistance that dramatises the nationalist imagination bridging the gap between poetry and politics in Nigeria. The emerging generation of poetic voices raises an outcry against the repressive military regimes of the 1980s and 1990s. Ingrained in the tradition of protest literature in Africa, the third-generation poetry is presented here as part of the cultural struggles that unseat military despotism and envisage a democratic society.
Black African Literature in English, 1997-1999
This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.
History, Trauma, and Healing in Postcolonial Narratives
What would it mean to read postcolonial writings under the prism of trauma? Ogaga Ifowodo tackles these questions through a psycho-social examination of the lingering impact of imperialist domination, resulting in a refreshing complement to the cultural-materialist studies that dominate the field.
