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Accessible guide to and description of the medieval poetic tradition in Scandinavia. This is the first book in English to deal with the twin subjects of Old Norse poetry and the various vernacular treatises on native poetry that were a conspicuous feature of medieval intellectual life in Iceland and the Orkneys from the mid-twelfth to the fourteenth centuries. Its aim is to give a clear description of the rich poetic tradition of early Scandinavia, particularly in Iceland, where it reached its zenith, and to demonstrate the social contextsthat favoured poetic composition, from the oral societies of the early Viking Age in Norway and its colonies to the devout compositions of literate Christi...
THE GROUP of poems offered in this volume comprises practically all the more considerable (non-Skaldic) verse material not in the Edda. Indeed, it has been subtitled "the most important non-skaldic verse not included in the poetic edda." It is a supplement to the Edda and it shows, even better than that remarkable collection, the wealth of independent poetic inventions and forms that flourished in the Scandinavian North before and immediately after the introduction of Christianity, especially when we bear in mind that much has been irretrievably lost. As to the contents of these poems, with respect to the first group of nine, range from the genuinely "heroic," realistic, dialogic-dramatic, e...
This book presents a range of approaches to the study of Old Norse poetry in performance. The contributors examine both eddic and skaldic poems and consider the surviving evidence for how they were originally recited or otherwise performed in medieval Scandinavia, Iceland and at royal courts across Europe. This study also engages with the challenge of reconstructing medieval performance styles and examines ways of applying the modern discipline of Performance Studies to the fragmentary corpus of Old Norse verse. The performance of verse by characters who appear in the Old Icelandic saga tradition is also considered, as is the cultural value associated not only with the poems themselves but with their various means of transmission and reception. This book will be of great interest to students and scholars in the fields of Old Norse studies, Performance and Theatre History.
English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth — stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja — on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to...
Bringing alive the dramatic poems of Old Norse heroic legend, this new collection offers accessible, ground-breaking and inspiring essays which introduce and analyse the exciting legends of the two doomed Helgis and their valkyrie lovers; the dragon-slayer Sigurðr; Brynhildr the implacable shield-maiden; tragic Guðrún and her children; Attila the Hun (from a Norse perspective!); and greedy King Fróði, whose name lives on in Tolkien’s Frodo. The book provides a comprehensive introduction to the poems for students, taking a number of fresh, theoretically-sophisticated and productive approaches to the poetry and its characters. Contributors bring to bear insights generated by comparative...
This book took its start with the author’s realization that what Old Norse calls 'magic' can be understood as 'unconscious', as stated by C. G. Jung: (we find) "magical means everything where unconscious influences are at work." This book reveals the existence of several Norse words specifically dedicated to magic, as are 'sköp', for instance, and it details the magic they carry with them. In our modern civilization these "skop" still exist but their magical nature is no longer obvious, though this point can be disputed. Once this magic is discovered and acknowledged, it becomes possible to infer from Norse poetry the existence and handling of unconscious archetypes within its associated ...
The drottkvett was a form of Old Norse skaldic poetry composed to glorify a chieftain's deeds or to lament his death. Kari Ellen Gade explores the structural peculiarities of ninth- and tenth-century drottkvett poetry and suggests a solution to the mystery of the origins of the drottkvett and its eventual demise in the fourteenth century.
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