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This volume was first published by Inter-Disciplinary Press in 2014. The term ‘performance practice’ houses within it a diversity of practices and artists whose work extends and interrogates the boundaries between theatre and nearly all other creative art forms. This volume contains diverse theoretical and creative essays all of which manifest a commitment to exploring the complexity of relationships between performer, space, and audience. The work investigated is not subsumed within disciplines, but cuts across and between disciplinary vocabularies providing new synergies, domains, and inter-disciplinary possibilities. Revolutionary innovations and experimentations are presented in the fields of motion graphics, design and scenography. Readers will discover the challenges and ingenuities of the imaginary, and the dynamics of performance as it intersects with the physical construction of space. The mysteries of what denotes ‘liveness’ will be unveiled, The Barber of Seville will be re-imagined through juvenile intervention, and Shakespeare is viewed through the hypnagogic imagination against the nothingness of Venetian mystique.
Reflecting the variety and diversity of mobile methods and their applications, this comprehensive Handbook illuminates the multiple dimensions and transdisciplinary nature of mobilities research, from transport to tourism, cargo to information as well as physical, virtual and imaginative mobilities. It brings together key contributions on the state of the art of qualitative and quantitative research, multimethod combinations and co-creation methods within the mobilities paradigm.
That which we consider to be real we call knowledge. As a rule, we consider what our five senses convey to us to be real. Our perception and what we consider real and construct as socially effective differs depending on which senses we focus on and how intensively. The connection between reality constructions and sensory conditions has received little attention in social research so far. This concerns, for example, the use of our sensory organs for empirical reconstructions of bodies of knowledge, sensory perceptions as part of bodies of knowledge, or the question of how far knowledge is dependent on sensory abilities. This anthology attempts to close this gap by focusing on the social significance of sensory perceptions and discussing it using the example of various objects of investigation. This book is a translation of an original German edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation.
Frontcover -- Contents -- List of Illustrations -- List of Tables -- Acknowledgements -- Editorial Note -- Abbreviations -- Introduction -- 1 The Context: Conductors in the British Marketplace (1870-1914) -- 2 Conducting the Philharmonic Societies of Liverpool and London (1867-1880s): Julius Benedict and William Cusins -- 3 Conducting the Royal Choral Society and the Leeds Festival (1880s-1890s): Joseph Barnby and Arthur Sullivan -- 4 Conducting the Philharmonic Society of London (1888-1900s): Frederic Cowen and Alexander Mackenzie -- 5 Conducting in Bournemouth, London and Birmingham (1890s-1914): Dan Godfrey Junior and Landon Ronald -- Conclusion -- Select Bibliography -- Index
Fantasy novels are products of popular culture. They owe their popularity also to the visualization of medievalist artifacts on book covers and designs, illustrations, maps, and marketing: Castles on towering cliffs, cathedral-like architecture, armored heroes and enchanting fairies, fierce dragons and mages follow mythical archetypes and develop pictorial aesthetics of fantasy, completed by gothic fonts, maps and page layout that refer to medieval manuscripts and chronicles. The contributors to this volume explore the patterns and paradigms of a specific medievalist iconography and book design of fantasy which can be traced from the 19th century to the present.
How are natures and animals integrated inclusively into research projects through Multispecies Ethnography? While preceded by a vision that seeks to question holistically how scientists can integrate natures and animals into research projects through Multispecies Ethnography, this book focuses on inter- and multidisciplinary collaboration. From an examination of the interfaces between social and natural science-oriented disciplines, a complex view of natures, humans, and animals emerges. The insights into interdependencies of different disciplines illustrate the need for a Multispecies Ethnography to analyze HumansAnimalsNaturesCultures. While the methodology is innovative and currently not ...
A thematically organised overview of the musical, social and cultural contexts for the multi-faceted career of this pivotal British composer.
“L’Étrurie est à la mode”, French archaeologist Salomon Reinach bluntly stated in 1927. Since the beginning of the nineteenth century, Etruria had not only been attracting the attention of archaeologists and specialists of all sorts, but it had also been a fascinating and, in some cases, captivating destination for poets, novelists, painters and sculptors from all over Europe. This volume deals with the impact of the constantly expanding knowledge on the Etruscans and their mysterious civilisation on Italian, French, English, and German literature, arts and culture, with particular regard to the modernist period (1890–1950). The volume brings a distinctive point of view to the subj...
The first evidence on the adverse effects of organic pollutants on Arctic ecosystems was provided by international research initiatives more than 30 years ago. Today, the indigenous people of the North are considered to be affected by exposure to persistent organic pollutants (POPs) and metals through their traditional marine food sources. The occurrence of pollutants of emerging concern in remote Polar environments is considered an essential criterion for prioritising this (largely neglected) type of contamination in national, international and global regulation schemes. Initiated during the first international Polar Years (IPY 2007-2009) and continued afterwards, 11 representative initiati...
Charakteristisch für die Hermeneutische Wissenssoziologie ist der Anspruch, sich dem Verstehen der sozialen Wirklichkeit selbst reflexiv zuzuwenden. Denn wer die Strukturen und Arbeitsweisen alltäglicher Deutung nicht kennt, ist weder imstande, alltägliche Deutungen zu kontrollieren noch sie in aufklärerischer Absicht zu überschreiten. Jo Reichertz hat in seiner Auseinandersetzung mit den zeichen- und erkenntnistheoretischen Schriften von Charles S. Peirce die erkenntnislogischen Grundlagen der Konstruktion neuen Wissens für die Qualitative Sozialforschung und für die Hermeneutische Wissenssoziologie im Besonderen aufgearbeitet, ihnen zugänglich und für sie fruchtbar gemacht. In diesem Band sind Beiträge von Wissenssoziologinnen und Wissenssoziologen versammelt, die sich seinem Konzept zur Entdeckung des Neuen vom Grundsatz her anschließen. Im ersten Teil finden sich die Beiträge, die sich mit der Abduktion erkenntnislogisch, methodologisch und methodisch auseinandersetzen und im zweiten Teil die Beiträge, die sich auf das Konzept der Abduktion in empirischen Analysen beziehen.