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Abraham Neighbours was born about 1760 in Virginia and died about 1824 in Francklin County, Tennessee.
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'ONE OF OUR VERY BEST WRITERS' Sunday Times 'A tour de force' The Times 'Intoxicating' Daily Telegraph 'Devilishly delightful' New York Times Book Review 'Beautifully and compellingly written' Sunday Express 'Audacious' Times Literary Supplement The bestselling classic tale of a woman scorned, from a much-loved British author Ruth Patchett never thought of herself as particularly devilish. Rather the opposite in fact - simply a tall, not terribly attractive woman living a quiet life as a wife and mother in a respectable suburb. But when she discovers that her husband is having a passionate affair with the lovely romantic novelist Mary Fisher, she is so seized by envy that she becomes truly d...
'A powerful, complex fable, mysteriously conceived and deeply felt . . . Brilliant' Irish Times When Josie, confined to bed in her dilapidated country mansion, sees the door swing back and the hooded face appear, she knows who it is. Into her world comes McGreevy, bloody crusader for a united Ireland, who has chosen her house for sanctuary. Within the incarcerating walls of the house, an undercurrent of love develops between two people who think differently but feel the same. Destiny has flung them together and, as the police net closes in, fear dawns in Josie that McGreevy has used her house for more than refuge. And there may be no escape for either of them. 'A writer at the height of her powers' Tatler 'A work of insight, sympathy and breath-holding suspense' Daily Mail 'O'Brien at her shrewd and lyrical best' Sunday Times 'So well written you won't be disappointed whatever you are looking for' Literary Review 'A sharp and thoughtful depiction of the modern Irish question . . . poetically written' The Times
Ford Madox Ford is a major modernist writer, yet many of his works do not conform to our assumptions about modernism. Examining ways in which he, alongside other 'misfit moderns', undermines 'stabilities' we expect from novels and memoirs, this book poses questions about the nature of narrative and the distinction between modernism and modernity.