Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Ancient Greek Purism
This volume is the first of four devoted to Atticism, a form of linguistic purism that sought to preserve the rules of the 5th-century Attic dialect against the evolution of Postclassical Greek. The series elucidates the origins and development of Atticist thought, as well as its impact, transmission, and legacy from the Byzantine Middle Ages to the Renaissance. Although Atticism flourished in the Imperial age, its roots are steeped in the previous centuries. This volume investigates the broad historical, cultural, and linguistic factors leading to the emergence of Attic as a prestige variety among the classical Greek dialects, the way Attic exclusivity was construed in Athenian literary sources, and how Hellenistic scholarship contributed to monumentalising Attic supremacy. Atticism can be regarded as the first example of an intellectual movement seeking to promote an extinct variety to the status of linguistic standard, reflecting an ideological and nostalgic view of identity. This volume traces the roots of this linguistic phenomenon back to factors at work in the construction of Hellenicity in the archaic and classical periods.
Prosody and Poetics in the Early Middle Ages
Based on a conference held at the U. of Western Ontario in March 1993, this collection of papers, dedicated to medievalist Constance B. Hieatt, considers the prosody and poetics of Old and early Middle English. The contributors address the details of how poems and their meter work and employ a variety of approaches, including traditional textual analysis, historiographical consideration of the works and responses to them, linguistics-based analysis, application of pragmatic theory, computer analysis, and a comparative-literature perspective. No index. Annotation copyright by Book News, Inc., Portland, OR
Modes of Analogy in Ancient and Medieval Verse
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.
The Idea of Epic
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.
Euripidean Drama
It is a commonly held view among historians of Greek literature that with the advent of Euripides the tragic structure, even the tragic outlook of Greek drama suffered a breakdown from which it never recovered. While there is much truth in this opinion, it has tended to put too much emphasis on "Euripides the destroyer" rather than "Euripides the creator." In this study the author's main purpose is to redress the balance and to discuss the structure and techniques of Euripidean drama in relation to its new and richly varied themes. The consistent dramatic form evolved by Aeschylus and Sophocles had grown out of their conception of tragedy as the resultant of the tension between the individua...
Mythical Narratives in Stesichorus
The mythical narratives of Stesichorus provide the earliest surviving examples of poetic production in the Greek West. This book illustrates how Stesichorus reshaped Greek epic to create a remarkably innovative type of lyric poetry – a literature that was particularly expressive in its handling of motifs associated with travel, such as the voyages of heroes, their returns home, and their escapes. This comprehensive survey of Stesichorus’ treatment of myth discusses his engagement with Homer and Hesiod, his powerful and often moving means of characterisation, his subtle treatment of narrative, and his elaboration of emotional episodes unprecedented in archaic Greek lyric poetry. All Greek is translated, making the book accessible to anyone with an interest in one of the great poets of archaic Greece, whose work had such an impact on the later genre of tragedy.
The Sea in the Greek Imagination
In The Sea in the Greek Imagination, Marie-Claire Beaulieu unifies the multifarious representations of the sea and sea-crossing in Greek myth and imagery by positing the sea as a cosmological boundary between the worlds of the living, the dead, and the gods, or between reality and imagination.
Eros and Psyche
"This study makes a substantial contribution to our understanding of the development of ancient Platonism and of the influence of Greek philosophy on Christian thought. The author examines a number of themes such as Eros, Virtue and Knowledge in the writings of Plato himself, and shows that, in our interpretation of them, we must recognize certain latent contradictions; his successors, however, attempted not always successfully, to form a synthesis of Platonic theory based on the genuinely Platonic motif of the attaining of likeness to God. The author demonstrates that Plato's thought contained within itself unresolved, but philosophically fruitful divergences of opinion on the highest topics: the Good, the nature of love, the aim of the life of virtue. The author suggests that the unity of Plato's thought consists only in certain general beliefs, such as that there are supra-sensible realities and that some aspect of the human soul is immortal. He protests, in passing, against those who look on Plato as the author of a series of tracts: one on the Theory of Forms, one on Aesthetics, another on Statesmanship, and so on." -- Book jacket.
Learned Girls and Male Persuasion
This study transforms our understanding of Roman love elegy, an important and complex corpus of poetry that flourished in the late first century b.c.e. Sharon L. James reads key poems by Propertius, Tibullus, and Ovid for the first time from the perspective of the woman to whom they are addressed—the docta puella, or learned girl, the poet's beloved. By interpreting the poetry not, as has always been done, from the stance of the elite male writers—as plaint and confession—but rather from the viewpoint of the women—thus as persuasion and attempted manipulation—James reveals strategies and substance that no one has listened for before.
