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A passport to freedom that shows how to find fun, food, shelter, and income on land that may be within easy-driving distance of the city and suburbs. Why work a lifetime, asks Angier, to accumulate enough money to retire from the rat race during the last, least active years of life, when a little ground can provide healthful, relaxed living—now—and income too? One Acre and Security explains how “three-squares-a-day” and money to spend can come from the earth with instructions on: sheep or pig farming, raising bees for honey, keeping dairy herbs of cows or goats, making money with herb culture, raising and selling rabbits and earthworms, running a poultry farm, raising fish, frogs, an...
80 poets brought together by editor Deborah Alma in a women's poetry anthology that has risen up out of the collective rage that found a voice in the wake of the #MeToo social media campaign. Foreword by Jess Phillips MP.
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In fifteen sharply engaging essays, acclaimed novelist and short story writer Brock Clarke examines the art (and artifice) of fiction from unpredictable, entertaining, and often personal angles, positing through a slant scrutiny of place, voice, and syntax what fiction can--and can't--do. ("Very: is there a weaker, sadder, more futile word in the English language?") Clarke supports his case with passages by and about writers who have both influenced and irritated him. Pieces such as "What the Cold Can Teach Us," "The Case for Meanness," "Why Good Literature Makes Us Bad People," and "The Novel is Dead; Long Live the Novel" celebrate the achievements of master practitioners such as Muriel Spa...
"American contributions to Chemistry. By Benjamin Silliman." v. 5, p. 70-114, 195-209.
*Winner of the William Carlos Williams Award* *National Book Critics Circle Award Finalist* *Included in The New York Times Best Poetry of 2016* *Named one of The Washington Post's Best Poetry Collections of 2016* * Longlisted for the National Book Award* “Blackacre” is a centuries-old legal fiction—a placeholder name for a hypothetical estate. Treacherously lush or alluringly bleak, these poems reframe their subjects as landscape, as legacy—a bereavement, an intimacy, a racial identity, a pubescence, a culpability, a diagnosis. With a surveyor’s keenest tools, Youn marks the boundaries of the given, what we have been allotted: acreage that has been ruthlessly fenced, previously tenanted, ploughed and harvested, enriched and depleted. In the title sequence, the poet gleans a second crop from the field of Milton’s great sonnet on his blindness: a lyric meditation on her barrenness, on her own desire—her own struggle—to conceive a child. What happens when the transformative imagination comes up against the limits of unalterable fact?
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In Lawns Into Meadows, landscape designer Owen Wormser makes a case for the power and generosity of meadows. In a world where lawns have wreaked havoc on our natural ecosystems, meadows offer a compelling solution. They establish wildlife and pollinator habitats. They’re low-maintenance and low-cost. They have a built-in resilience that helps them weather climate extremes, and they can draw down and store far more carbon dioxide than any manicured lawn. They’re also beautiful, all year round. Owen describes how to plant an organic meadow that’s right for your site, whether it’s a yard, community garden, or tired city lot. He shares advice on preparing your plot, coming up with the ri...