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Blackacre
*Winner of the William Carlos Williams Award* *National Book Critics Circle Award Finalist* *Included in The New York Times Best Poetry of 2016* *Named one of The Washington Post's Best Poetry Collections of 2016* * Longlisted for the National Book Award* “Blackacre” is a centuries-old legal fiction—a placeholder name for a hypothetical estate. Treacherously lush or alluringly bleak, these poems reframe their subjects as landscape, as legacy—a bereavement, an intimacy, a racial identity, a pubescence, a culpability, a diagnosis. With a surveyor’s keenest tools, Youn marks the boundaries of the given, what we have been allotted: acreage that has been ruthlessly fenced, previously tenanted, ploughed and harvested, enriched and depleted. In the title sequence, the poet gleans a second crop from the field of Milton’s great sonnet on his blindness: a lyric meditation on her barrenness, on her own desire—her own struggle—to conceive a child. What happens when the transformative imagination comes up against the limits of unalterable fact?
Ignatz
A collection of love poems based on George Herriman's comic strip characters Ignatz Mouse and Krazy Kat.
Barter
The poems in Barter, Monica Youns exciting first collection, negotiate transactions between scarcity and excess, pornography and abstraction, the thing and the thing seen.
Happy Like This
The characters in Happy Like This are smart girls and professional women—social scientists, linguists, speech therapists, plant physiologists, dancers—who search for happiness in roles and relationships that are often unscripted or unconventional. In the midst of their ambivalence about marriage, monogamy, and motherhood and their struggles to accept and love their bodies, they look to other women for solidarity, stability, and validation. Sometimes they find it; sometimes they don’t. Spanning a wide range of distinct perspectives, voices, styles, and settings, the ten shimmering stories in Happy Like This offer deeply felt, often humorous meditations on the complexity of choice and the ambiguity of happiness.
The Racial Imaginary
Frank, fearless letters from poets of all colors, genders, classes about the material conditions under which their art is made.
Year of Blue Water
Winner of the 2018 Yale Series of Younger Poets prize How can a search for self‑knowledge reveal art as a site of community? Yanyi’s arresting and straightforward poems weave experiences of immigration as a Chinese American, of racism, of mental wellness, and of gender from a queer and trans perspective. Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life. These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.
Nervous System
A moving and kinetic collection of poetry from the 2018 winner of the National Poetry Series, selected by Monica Youn Unexpected, unusual, and stirring, the poetry of Rosalie Moffett “takes us to the brink of a world continually unmaking itself,” (Georgia Review). From diving-bell spiders to the nervous system of the human body, from trees growing so heavy with fruit that they split to dogs galloping through snowy hills, Moffett’s world is rendered with precision, intricacy, and extraordinary beauty. Exhilarating in its technical expertise but also steeped in a profound connection to the natural world and the human psyche, Nervous System is a collection from a major emerging voice.
Sight Lines
Winner of the 2019 National Book Award “The sight lines in Sze’s 10th collection are just that―imagistic lines strung together by jump-cuts, creating a filmic collage that itself seems to be a portrait of simultaneity.” ―The New York Times From the current phenomenon of drawing calligraphy with water in public parks in China to Thomas Jefferson laying out dinosaur bones on the White House floor, from the last sighting of the axolotl to a man who stops building plutonium triggers, Sight Lines moves through space and time and brings the disparate and divergent into stunning and meaningful focus. In this new work, Arthur Sze employs a wide range of voices—from lichen on a ceiling to...
Covered with Night: A Story of Murder and Indigenous Justice in Early America
WINNER • 2022 PULITZER PRIZE IN HISTORY Finalist • National Book Award for Nonfiction Best Books of the Year • TIME, Smithsonian, Boston Globe, Kirkus Reviews The Pulitzer Prize-winning history that transforms a single event in 1722 into an unparalleled portrait of early America. In the winter of 1722, on the eve of a major conference between the Five Nations of the Haudenosaunee (also known as the Iroquois) and Anglo-American colonists, a pair of colonial fur traders brutally assaulted a Seneca hunter near Conestoga, Pennsylvania. Though virtually forgotten today, the crime ignited a contest between Native American forms of justice—rooted in community, forgiveness, and reparations...
From From
Shortlisted for the National Book Award for Poetry 2023 Monica Youn's first UK collection is her fourth and most ambitious book. It ends with prose, or at least with paragraphs, the long lyrical essay 'In the Passive Voice', and the intense 'Detail of the Rice Chest', explorations of race, identity and belonging seldom so directly broached in poetry, though they are the unspoken theme of much of our silenced discourse. Monica Youn is an undefended poet, which is not the same thing as defenceless. On the contrary, the undefended poet speaks truths without defensive irony. When there is humour it disarms the reader, until we too are undefended and can confront some of the themes we are reluctant to speak of. The poems recast classical myth in the light of coloniality, otherness and desire, juxtaposing figures which elicit one another's deeper natures. There are metamorphoses, fables. In place of Wallace Stevens's blackbird, Youn proposes 'Thirteen Ways of Looking at a Magpie', the two-hued bird with a bad reputation.
