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La ciencia ficción pone en cuestionamiento la imagen de lo humano y de la sociedad. A través de espectacularizadas historias y deslumbrantes efectos especiales, los filmes logran desfamiliarizar la realidad y presentar con nuevas formas los conflictos y amenazas reales tales como la corrupción, las tiranías, los conflictos sociales, la crisis ambiental, las luchas raciales y de género. Los autores, a partir de distintos filmes identifican a través de sus discursos, imágenes y narrativas la forma en que se presentan los problemas sociales, el contexto en que emergen y el tipo de valores desplegados.
Sarah Schmid zeigt auf, dass zerfallende oder fragile Staaten nicht pauschal als Räume der Anarchie begriffen werden können, sondern in Abwesenheit des Staates Ordnungsleistungen durch nicht-staatliche Akteure erbracht werden. Am Beispiel Afghanistans und Kolumbiens illustriert die Autorin die Prämissen, aber auch die Grenzen einer öffentlichen Gütererbringung durch nicht-staatliche Akteure am Beispiel der Politikfelder Sicherheit, Rechtsstaatlichkeit und Wohlfahrtsstaatlichkeit und beleuchtet, welche hybriden Formen politischer Organisation sich daraus ergeben.
Winner of the Montserrat Ordóñez Prize 2018 This book provides an original and exciting analysis of Colombian women’s writing and its relationship to feminist history from the 1970s to the present. In a period in which questions surrounding women and gender are often sidelined in the academic arena, it argues that feminism has been an important and intrinsic part of contemporary Colombian history. Focusing on understudied literary and non-literary texts written by Colombian women, it traces the particularities of Colombian feminism, showing how it has been closely entwined with left-wing politics and the country’s history of violence. This book therefore rethinks the place of feminism in Latin American history and its relationship to feminisms elsewhere, challenging many of the predominant critical paradigms used to understand Latin American literature and culture.
According to press reports, 2008 was the year that more bullets were fired in the recent history of Mexico. That same year, more than 5,000 people were killed in several episodes of violence and extrajudicial activity linked to drug trafficking and its repression. Teresa Margolles, who for nearly two decades has been concerned to explore the artistic possibilities of human remains, focused his participation in the Venice Biennale 2009 in a shipment conceptual, emotional and material evidence of the violence of the streets of Mexico the decadent luxury of the art world. What else could we talk?, Is much more than the documentation of the intervention Margolles in Venice. This book brings together multiple reflection (from the testimony, narrative, historical reflection and production) on a futile crusade against drugs and its pernicious effects. More than an art book is a volume that records the complex interference between violence, aesthetics and politics that emerged in Southern culture in the early twentieth century.
Selected peer reviewed papers from the 9th International Conference on Processing & Manufacturing of Advanced Materials, May 29 - June 03, 2016, Graz, Austria
The main themes of the Symposium were biodiversity in enclosed and semi-enclosed seas and artificial habitats, and the restoration of degraded systems. These themes are highly relevant today. The papers dealing with the first theme represent current research and concerns about marine biodiversity in enclosed seas. The papers in the second theme represent a synthesis of up-to-date knowledge on artificial habitats.
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A growing body of evidence from economic studies shows areas where appropriate policies can generate health and other benefits at an affordable cost, sometimes reducing health expenditure and helping to redress health inequalities at the same time.