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In a quiet corner of England, a young boy visits the cinema for the first time. Overwhelmed by the experience, he returns to see a movie which will ignite his imagination, fill his head with fantasy and change the course of his life. That enthusiasm carries him though to his adolescence, when he gets a part-time job as an usher at his local cinema. Falling in with the motley crew of cinephile staff, he falls in love, finds his tribe, and fantasises about his film-filled future. The final act sees that same boy as a grown man, back in his hometown after life panned out in a slightly unexpected way. When an opportunity to break into the film world presents itself, he finds that his life has come full circle as he sets out again to make his magnum opus...
Michael Gove is one of the most recognisable faces in British politics – and one of the most divisive. Whether it's taking on the education 'blob', acting as a frontman for the Brexit campaign or orchestrating one of the bloodiest political assassinations in the history of British politics, Gove is a man who makes things happen. But it was almost so different, and his story, from being born into care to standing for the leadership of the Conservative Party, could have come straight from the pages of a Charles Dickens novel. A charming man to his friends, and a cold-blooded zealot to his enemies, Gove provokes a reaction from everyone, be it loyalty, anger, respect or fury. Love him or hate...
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The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Multiculturalism, and its representation, has long presented challenges for the medium of comics. This book presents a wide ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don’t conform to particular cultural stereotypes. Contributors engage with ethnicity and other cultural forms from Israel, Romania, North America, South Africa, Germany, Spain, U.S. Latino and Canada and consider the ways in which comics are able to represent multiculturalism through a focus on the formal elements of the medium. Discussion themes include education, countercultures, monstrosity, the quotidian, the notion of the ‘other," anthropomorphism, and colonialism. Taking a truly international perspective, the book brings into dialogue a broad range of comics traditions.
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Most vols. have appendices consisting of reports of various State offices.