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The practice of medicine in the days before the development of anaesthetics could often be a brutal and painful experience. Many procedures, especially those involving surgery, must have proved almost as distressing to the doctor as to the patient. Yet in order to cure, the medical practitioner was often required to inflict pain and the patient to endure it. Some level of detachment has always been required of the doctor and especially, of the surgeon. It is the construction of this detachment, or dispassion, in early modern England, with which this work is concerned. The book explores the idea of medical dispassion and shows how practitioners developed the intellectual, verbal and manual skill of being able to replace passion with equanimity and distance. As the skill of 'dispassion' became more widespread it was both enthusiastically promoted and vehemently attacked by scientific and literary writers throughout the early modern period. To explain why the practice was so controversial and aroused such furor, this study takes into account not only patterns of medical education and clinical practice but wider debates concerning social, philosophical and religious ideas.
This study concerns itself with a now-forgotten religious group, Spiritualists, and how their ensuing discussions of Shakespeare's meaning, his writing practices, his possible collaborations, and the supposed purity and/or corruption of his texts anticipated, accompanied, or silhouetted similar debates in Shakespeare Studies.
Part 2 which contains an introduction and translation of Kilwardby's treatises, written in the mid 13th century, for teaching at Oxford university. Part 1 (also available) contains the original text.
Songs, Scribes, and Society explores the cultural and musical importance of five 15th-century Chansonniers - personalized, portable, and lavishly decorated songbooks - from the Loire Valley of France. Author Jane Alden treats the Chansonniers as physical artifacts to reveal their cultural context and its relationship to their commission, creation, and use.
While the monarchy established by Caesar Augustus has attracted much scholarly attention, far less has been said about the reemergence of the old nobility at that time after years of civil war. One clear reason for this has been the lack of reliable evidence from the period. This book goes backward to the early years of the first century B.C. and forward to the reign of Nero in search of documentation of the Augustan aristocracy. Syme draws particularly on the Annals of Tacitus to cover 150 years in the history of Roman families, chronicling their splendor and success, as well as their subsequent fall within the embrace of the dynasty.
In scenes eerily parallel to the culture of fear inspired by our current War on Terror, A Need to Know explores the clandestine history of a CIA family defined, and ultimately destroyed, by their oath to keep toxic secrets during the Cold War. When Bud Goodall’s father mysteriously died, his inheritance consisted of three well-worn books: a Holy Bible, The Great Gatsby, and a diary. But they turned his life upside down. From the diary Goodall learned that his father had been a CIA operative during the height of the Cold War, and the Bible and Gatsby had been his codebooks. Many unexplained facets of Bud’s childhood came into focus with this revelation.The high living in Rome and London. ...
This inquiry into self-study provides fresh insight into the motivation to learn. Beginning and ending with comprehensive and stimulating discussions of learning theories, it includes fourteen case studies of autodidactism in informal learning.
This edited volume explores the different and seminal ways colours matter to philosophy. Each chapter provides an insightful analysis of one or more cases in which colours raise philosophical problems in different areas and periods of philosophy. This historically informed discussion examines both logical and linguistic aspects, covering such areas as the mind, aesthetics and the foundations of mathematics. The international contributors look at traditional epistemological and metaphysical issues on the subjectivity and objectivity of colours. In addition, they also assess phenomenological problems typical of the continental tradition and contemporary problems in the philosophy of mind. The ...