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Thomas Hardy was always fascinated by women. While in life his relationships were often fraught and unhappy, through the heroines of his novels we can see into his sole. This book assesses the influence of Hardy's closest female friends and family on his life and his work and looks at how his response to them moulded his creative genius.
Elephants, lions, tigers and leopards evoke fascination and awe, fear and excitement. This book analyzes trained acts in twentieth-century live circus and cinema, reveals how humans anthropomorphize animals with their emotions, and interrogates the notion that animals embody a phenomenology of emotions and feelings in culture.
This book text provides an overview of the radar target recognition process and covers the key techniques being developed for operational systems. It is based on the fundamental scientific principles of high resolution radar, and explains how the underlying techniques can be used in real systems, taking into account the characteristics of practical radar system designs and component limitations. It also addresses operational aspects, such as how high resolution modes would fit in with other functions such as detection and tracking.
In Performing Emotions, Peta Tait's central argument is that performing emotions in realism is also performing gender identity. This study integrates scholarship on realist drama, theatre and approaches to acting, with interdisciplinary theories of emotion, phenomenology and gender theory. With chapters devoted to masculinity and femininity specifically, as well as to emotions generally, it investigates social beliefs about emotions through Chekhov's four major plays in translation, and English language commentaries on Constantin Stanislavski's direction (of the play's first productions) and his approaches to acting, and Olga Knipper's acting of the central women characters. Tait demonstrates how theatrical emotions are predicated on embodied social performances and create cultural spaces of emotions. Performing Emotions investigates how sexual difference impacts on the representations of emotions. The book develops an accumulative analysis of the meanings of emotions in twentieth century realist drama, theatre and acting.
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In The AQI, David Tait examines the world in 4 sections. The first looks at city life: the people within the city; the way people interact within cities; cultural differences; and the surreal-ness he has experienced whilst being a foreigner in China. These poems are seeking to make a connection, or seek an explanation of cultural differences and their complexities. The second section is all about the environment and air pollution. The Air Quality Index, or the AQI, is the measurement of particulate matter in the atmosphere. The AQI examines the effect that this has on day-to-day life, particularly during the winter. The third section relates to human rights, particularly LGBT rights, and the impact of a changing world. The final section tries to find some calm, and to integrate some sense of the pastoral (the world David Tait is from) into the city.
Subjects and Sequences gathers together new essays on Margaret Tait's work as well as reprinting poems, stories and texts along with a filmography, chronology and bibliography.