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In this study of the Canadian novelist Margaret Laurence, recent narratological models provide the theoretical framework for a textual analysis that aims at complementing previous thematic critiques. The chief focus is on The Stone Angel and The Diviners, which the conclusion then presents in the context of the other novels in Laurence's Manawaka cycle. Consideration of the published works is rounded off with genetic comparison of the novelist's typescript drafts and an evaluation of the manuscript notes kept in the archives of McMaster and York Universities. The central structural principle of The Stone Angel is its dovetailing of past and present scenes. Temporal arrangement, reflecting th...
In Imperial times in Japan, women were subservient inferiors; in theory they were liberated by the democratic constitution imposed by the US after World War II; but, in real-life Japan, change is glacially slow. Here, that slow-changing reality is juxtaposed with the fast-moving aspirations of Japanese women. The author achieves this through wide-ranging interviews with Japanese women, and by using a range of contemporay Japanese literature.
Based on the author's letters and writings during a career that spanned World War II and the end of empire, and included service in Nigeria, Eritrea, Singapore, Malaya, the Gold Coast and a spell in the Royal West African Frontier Force, this book describes the life and work of a colonial officer. The author argues that the typical district officer in the post-war period was a man free from Kipling's aspirations, accepting and trying to smooth the path to independence.
This book brings to life in an inspirational and memorable way what is at the core of every true moral virtue, namely, love. It presents twenty-eight different virtues and reveals, through stories that personify these virtues, how love is expressed through care, courage, compassion, faith, hope, justice, prudence, wisdom, etc... It is a treatment of virtue that is both unique and original. It is unique in that virtues are both illustrated in story form and explained through philosophical analysis. It is original in that many of the stories have never before appeared in print. This book is a veritable liberal education in itself, bringing together in a carefully balanced and readable manner, distinguished personalities from diverse enterprises and periods of history. It literally sparkles with celebrities recruited from science and the arts, philosophy and theology, medicine and religion, stage and screen, sports and entertainment. But the book does not ignore the relatively unknown who provide several human interest stories that are both moving and unforgettable.
This collection of essays on the writing of Robertson Davies addresses the basic problems in reading his work by looking at the topics of doubling, disguise, irony, paradox, and dwelling in "gaps" or spaces "in between." The essays present new insights on a broad range of topics in Davies oeuvre and represent one of the first major discussions devoted to Davies' work since his death in 1995. Publishled in English.
What happens when an individual becomes the subject of many and divergent portraits? “Biography,” says Stephanie Kirkwood Walker, “is a deceptive genre. Positioned between fact and fiction and elusive in its purposes, biography displays an individual life, an existence patterned by conventions that have also shaped the reader’s experience.” In This Woman in Particular, Walker explores versions of Emily Carr’s life that have appeared over the last half-century. Walker contends that the biographical image of Emily Carr that emerges from an accumulation of biographies, films, plays and poetry as well as her own autobiographical writing establishes an elaborated cultural artefact — an “image” that is bound by its very nature to remain forever incomplete and always elusive. She demonstrates how changes in Carr’s biographical image parallel the maturing of Canadian biographical writing, reflecting attitudes toward women artists and the shifting balance between religion, secular attitudes and contemporary spirituality. And she concludes that biography plays a crucial role in all our lives in initiating and sustaining debate on vital personal and collective concerns.
An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms. In doing so, the collection reveals that renovating modernisms does not need to depend on the fabrication of completely new modes of scholarship. Rather, it is the repurposing of already existing practices and combining them with others - whether old or new, print or digital - that instigates a process of continuous renewal. Critical to this process of renewal is the intermingling of print and digital research methods and the coordination of more popular modes of literary scholarship with less frequented ones, such as bibliography, textual studies, and editing. Making Canada New tracks the editorial renovation of modernism as a digital phenomenon while speaking to the continued production of print editions.
This essay collection reflects the scope and reach of Leonard Cohen’s influence. It ranges from academic essays that consider the treatment of the Holocaust in Cohen’s poetry, aspects of personal and national identity in his novels, and the theoretical problems of performance in his songs, to less formal discussions such as an Internet newsgroup thread on “Closing Time” and a description of fan reactions to his concert performances in Germany. Several writers pay tribute to Cohen by contributing poems that “translate” his work into new idioms. The book also includes two new poems by Cohen himself. Intricate Preparations is fully international in scope, with contributions coming from Australia, Great Britain, France, Germany, Belgium, Norway, and Finland, as well as Canada—including something from the Governor-General herself.
How engineers and clinicians developed the ultrasound diagnostic scanner and how its use in obstetrics became controversial. To its proponents, the ultrasound scanner is a safe, reliable, and indispensable aid to diagnosis. Its detractors, on the other hand, argue that its development and use are driven by the technological enthusiasms of doctors and engineers (and the commercial interests of manufacturers) and not by concern to improve the clinical care of women. In some U.S. states, an ultrasound scan is now required by legislation before a woman can obtain an abortion, adding a new dimension to an already controversial practice. Imaging and Imagining the Fetus engages both the development...