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You Can Have a Dog When I'm Dead
Hamilton Spectator columnist Paul Benedetti’s essays paint a wonderfully funny portrait of family life today. Paul Benedetti has a good job, a great family, and successful neighbours — but that doesn’t stop him from using it all as grist for a series of funny, real, and touching essays about a world he can’t quite navigate. Benedetti misses his son, who is travelling in Europe, misplaces his groceries, and forgets to pick up his daughter at school. He endures a colonoscopy and vainly attempts to lower his Body Mass Index — all with mixed results. He loves his long-suffering wife, worries about his aging parents and his three children, who seem to spend a lot of time battling online trolls, having crushes on vampires, and littering their rooms with enough junk to start a landfill.
Modernism, the Market and the Institution of the New
This book examines the problems faced by innovative writers working in a late modernist era dominated by Joyce, Eliot and Pound.
Ethics and the Media
This book is a comprehensive introduction to media ethics and an exploration of how it must change to adapt to today's media revolution. Using an ethical framework for the new 'mixed media' ethics – taking in the global, interactive media produced by both citizens and professionals – Stephen J. A. Ward discusses the ethical issues which occur in both mainstream and non-mainstream media, from newspapers and broadcast to social media users and bloggers. He re-defines traditional conceptions of journalistic truth-seeking, objectivity and minimizing harm, and examines the responsible use of images in an image-saturated public sphere. He also draws the contours of a future media ethics for the 'new mainstream media' and puts forward cosmopolitan principles for a global media ethics. His book will be invaluable for all students of media and for others who are interested in media ethics.
The Future of Journalism
The future of journalism is hotly contested and highly uncertain reflecting developments in media technologies, shifting business strategies for online news, changing media organisational and regulatory structures, the fragmentation of audiences and a growing public concern about some aspects of tabloid journalism practices and reporting, as well as broader political, sociological and cultural changes. These developments have combined to impoverish the flow of existing revenues available to fund journalism, impact radically on traditional journalism professional practices, while simultaneously generating an increasingly frenzied search for sustainable and equivalent funding – and from a wi...
McLuhan in Space
Demonstrates how McLuhan extended insights derived from advances in physics and artistic experimentation into a theory of acoustic space which he then used to challenge the assumptions of visual space that had been produced through print culture.
The MIT Guide to Teaching Web Site Design
The book covers all aspects of teaching Web design, from optimal class size and classroom configuration to peer review of completed projects. It uses many examples from the Web design course taught by the authors at MIT.
The Dundurn Group
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Light Will Emerge
Kaci King learned early on in life that everything has a purpose, even though the purpose may not be easily seen. After developing a lasting friendship with a disabled neighbor during her childhood, Kaci never realized that his attitude about life?s toughest challenges would inspire her years later as she faced the most difficult years of her life. Three years after Kaci and her husband, Rea, married, their beautiful daughter was born. Although Madi incessantly cried, everyone assumed she was just a strong-willed child. Twenty months later, a baby boy joined their family. Everything seemed normal, until Austin began showing little interest in eating. As Kaci details the frustrating path that...
The Medium Is the Monster
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Canadian popular culture that popularized, even globalized, a Frankensteinian sense of technology. The Medium Is the Monster shows how we cannot talk about technology—that human-made monstrosity—today without conjuring Frankenstein, thanks in large part to its Canadian adaptations by pop culture icons such as David Cronenberg, William Gibson, Margaret Atwood, and Deadmau5. In the unexpected connections illustrated by The Medium Is the Monster, McCutcheon brings a fresh approach to studying adaptations, popular culture, and technology.
