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Performing Policy
This book demonstrates how and why a majority of US artists must now function as producers of their original works, as well as creators. The author shows how, over the span of 20 years, the USA's cultural policy sector radically redefined US artists' practices without cohesively articulating the expectations of artists' new role.
Doing Good, Departing from Evil
Doing Good, Departing from Evil: Research Findings in the Twenty-First Century emphasizes that goodness must be actively enacted, not abstractly discussed, that evil is present and must be fought, and that in-depth research into problems provides wisdom to proceed with that battle in the new century. Eleven scholars investigate problematic topics and offer potential guidance about racism, propaganda, marital tensions, educational inequities, college dropouts, elders' depression, neglect of the disabled, and even peacemaking between faith-based and secular social work agencies as well as Israelis and Palestinians. This collection offers no easy answers to complex problems, but points the way to potentially positive modes of mending the world, and invites readers to share in this challenging task.
The Bonin and Related Families
Eight generations of Bonins born in the United States, beginning with the family of Antoine Bonin (b. 1715) and Marie Marguerite Tellier (1726-1800). Antoine was a rifleman in the French Army of occupation of the Louisiana Territory; he married Marie in October 1740 while stationed at Fort Toulouse, Mobile, Alabama. Following his discharge in 1763, he and his family relocated in French territory west of the Mississippi River, settling finally in present-day St. Martinville, Louisiana. This Bonin family is distinguished from the other Bonin families from France, Belgium, Poland, Germany, or Italy by the term Bonin Martinet.
The Color of Theater
The Color of Theater presents a range of essays, interviews and performance texts that illustrate and examine the process, evolution and dynamics of making theater in the dawning moments of the 21st century. It brings together writings by artists, intellectuals and art activists exploring contemporary practices within multicultural, intercultural and ethnically specific theaters. This provocative and dynamic resource brings forth critical issues of cultural aesthetics engaging theatre as a crucial site for examining the intricate intersections of race, gender, class, sexuality and national and global politics. Contributors include Rustom Bharucha, Thulani Davis, Harry Elam, Guillermo Gomez-Peña, Velina Hasu Huston, Cherríe Moraga, David Román, Sekou Sundiata, Diana Taylor, Una Chaudhuri, Alberto Sandoval-Sánchez and lê thi diem thúy.
The World Is Our Home
Since the early 1970s southern fiction has been increasingly attentive to social issues, including the continuing struggles for racial justice and gender equality, the loss of a sense of social community, and the decline of a coherent regional identity. The essays in The World Is Our Home focus on writers who have explicitly addressed social and cultural issues in their fiction and drama, including Dorothy Allison, Horton Foote, Ernest J. Gaines, Jill McCorkle, Walker Percy, Lee Smith, William Styron, Alice Walker, and many others. The contributors provide valuable insights into the transformation of southern culture over the past thirty years and probe the social and cultural divisions that persist. The collection makes an important case for the centrality of social critique in contemporary southern fiction.
I Feel a Little Jumpy Around You
An award-winning anthology of paired poems by men and women. In this insightful anthology, the editors grouped almost 200 poems into pairs to demonstrate the different ways in which male and female poets see the same topics. How women see men, how boys see girls, and how we all see the world—often in very different ways, but surprisingly, wonderfully, sometimes very much the same.
Meeting the Moment
"Composes the recollections of socially engaged theater makers and performers to discuss the challenges and adaptations of the field. Meeting the Moment explores experiences of a diverse range of progressive theater and performance makers in the U.S., in their own words, since 1965. These performers, often unknown beyond their immediate audience, articulate diverse influences. Curated stories from over 75 interviews and informal exchanges offers insight into the field and point out limitations due to discrimination and unequal opportunity for performance artists over the past 55 years. They also reflect on how artists are educated and supported, what content is deemed valuable and how it is brought to bear, as well as which audiences are welcome and whether cross-community exchange is encouraged. The book's voices from the field point to more diverse and inclusive practices and give hope for the future of the art"--
